I say that because his approach to Sweeney seems natural within the framework of the musical. All the ballad sections are direct address to the audience, and it's written in a very story theatre/Brechtian way. So not having been familiar with his work, Sweeney seems like it was a good introduction to this performance style he's created, just because, for me, it worked well matched with the musical. As far as Company is concerned, I just can't see it being a good match. I could totally be wrong, but I'm skeptical. I don't disagree that there are defintely places that are suited to the characters playing for themselves in numbers, but as far as what the "concept" will be (ie. Sweeney's asylum), I'm interested to see what he does with it ultimately.
I'm all for creating and being innovative with your work. I enjoy people taking fresh stabs at material. If this is Doyle's style and trademark, I guess he can figure out a way to make anything work. But where I'm sitting right now, I need to see it to believe it.
(And I realllllly can't imagine a Mack and Mabel done in this style! Wow!)
Updated On: 3/13/06 at 02:44 AM