http://www.nypost.com/p/entertainment/theater/fresh_blood_on_broadway_l2T31cTvfz0mygZG9drNCL ‘Memphis” is a textbook example of how a new lead’s drastically different take on a part can affect a partner.
The Tony-nominated Chad Kimball had a sneaky charm as Huey Calhoun, making that disc jockey a bit of a colorful hustler.
Adam Pascal — Roger, the romantic, HIV-positive guitarist in the original “Rent” — plays Huey like an overgrown eager beaver, goofily enthusiastic about the R&B music he spins on the radio.
As a consequence, Huey has zero sexual zing with Montego Glover’s Felicia, the aspiring singer. Maybe to compensate, Glover now overacts broadly, a caricature of the nuanced performer she was in the early days.
On the plus side, though, Pascal sings beautifully — his incredible rendition of “Memphis Lives in Me” is a real tear-jerker.
Verdict: Those who’ve seen “Memphis” before may find a return trip worthwhile. Newbies will enjoy the singing and dancing, still tight and energetic 2 1/2 years after opening night.