mar6411 said: "Really quizqueen, crusty bagel, Broadway flash, Philly pinto, etc etc etc
And taking another shot at quizking.
"
Eh. They’re just petty because, under the alias of “Snake Skin”, they slid into my DMs looking to start a podcast with me and I purposely ignored it.
Anywho, I saw this yesterday and, like any good croissant, it’s light, warm, uncomplicated, and quite flaky.
The lion’s share of DeBose’s arc happens in Act I, and she is absolutely luminous and in great voice, even if the material isn’t up to a talent of her caliber. I do appreciate her making a bold choice for a return to the stage with this. She pretty much becomes absent in Act II save for a few select scenes, but it leads to a tidy ending - kind of like a Hallmark movie.
Bakula is pretty fantastic. I’ve never seen him in a musical theatre role before and he plays Amabile as very, well, amiable and quite a bit clueless about how he emotionally neglects his wife until she’s gone. The story is thin at best, but it goes does nicely (even with some of the misogynistic elements of the town labeling her a wanton woman for running off with the town hunk).
Kuhn remains in beautiful voice with “Chansson” and its reprises. The rest of the cast is basically a murderer’s row of character actors having a ball as the different denizens of the village, ranging from gruff to goofy to suave. I thought Kevin Del Aguila was squarely in his bag as the town drunk and thought he was a hoot. (Although I am bitter that I lost to him and Manu Narayan in a pre-show game of pétanque - which is harder than it looks). I will agree that Kevin William Paul, while pretty of voice, is playing a romantic paramour in a way that would’ve been dated even in the 1970s, and his Act I “love song” is patently absurd
It’s not the greatest thing I’ve seen all year, but I think it’s worth it for the cast, some of the songs, and the overall environment (THAT SET!) and vibe of theatre experience offer.
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