Posted: 8/30/15 at 1:33am
Yeah that "bounce" in Lansbury's Rose's Turn cracks me up every time. But for me I also wish Lansbury made some different acting choices at times. For example, maybe it's because they keep taking it further/exaggerating it in recent revivals or recordings, but her "Everything's Coming Up Roses" isn't quite as ferocious as Patti's or Bernadette's in my opinion (Patti's probably being the most ferocious I've heard). I know Lansbury could have done it if she wanted to - she was more ferocious singing "Me and My Town" 10 years earlier in ANYONE CAN WHISTLE. And her "Rose's Turn" is pretty intense.
What I love about all these GYPSY recordings though is that the lead vocalists are so unique/individual/special. The performances are so different that (with the exception of Tyne's recording, unfortunately - wish I could have seen her) all of the recordings are compulsory listening! This discussion has been had before, but there seems to be much more personality in the voices of stars-gone-by than the new 'divas' (if there is even such a thing today).
As for the 'best'. I'd also vote LuPone's recording. The orchestra sounds great, LuPone is a monster vocalist and the supporting cast are excellent. I'm also partial to Bernadette's vocals (of course). However, it would have been great if she could have played the role as little as 5 years earlier, you can hear the deterioration in her voice from this performance in 1998 to the cast recording:
https://www.youtube.com/watch?v=LSbfSXHLAxs
Her Carnegie hall performance in 1995 is even more impressive. By 2003 her vibrato seems to have become slower and her belt a little strained. LuPone makes the score sound so easy to sing, while Bernadette is being stretched to her limits. I don't really mind though. She still is a powerful vocalist and was able to sing the score.
Updated On: 8/30/15 at 01:33 AM