And Barbra Streisand sounded nothing like Fanny Brice. (Sorry, bway. I posted before I saw your post.)
HOWEVER, Marilyn Monroe is an icon and (ETA as Carlos pointed out) we've all seen/heard countless recordings of her singing. In SMASH, it bothered me every time an actress belted a Monroe song. We all know Monroe didn't sound like that.
But the bigger problem was there was never a consistent conflict spelled out in BOMBSHELL, not even one as weak as that of FUNNY GIRL. Some sort of radical rewrite (actually "write" because BOMBSHELL on TV was never really written) is necessary and that will almost automatically mean a radical revision of the score.
Could there be a stage musical based on Monroe's life? In theory, certainly. But didn't somebody already try that? (ETA, yes, again, somebody else mentioned this. Sorry.)
Updated On: 3/12/14 at 08:20 PM