Just ordered my copy now - I've been listening to the 2008 South Pacific recording in preparation. I'm sure it will sound incredible, but I'm still not over how burned I felt by the King and I recording. I had looked forward to that recording since the cast was announced, and while I'm grateful I have a glorious recording of O'Hara's "Hello, Young Lovers", there was so much that was unrecorded. However, the score of "My Fair Lady" can't be more than 75 minutes long, so I'm cautiously optimistic for the recording. Besides, no matter what, I'll be seeing this production in all its glory in the fall, so I'm hoping for a splendid recording!
dmwnc1959, while I totally understand wanting to let the new cast weave their way into your ear (and heart) before seeing the show, I must say a word for the Original Broadway Cast Recording. My Fair Lady has one of the most perfect cast recordings in history, along with Candide, Bye Bye Birdie, and A Little Night Music. The secret to these recordings is they were all recorded under Goddard Lieberson's eye, who basically single-handedly created a golden age of cast recordings. No matter how great this recording is, the age of recording cast albums in huge ballrooms (to recreate the air and space in the theatre) the week after opening night (to recreate the energy) is over. And, of course, the definitive performances by Julie Andrews, Rex Harrison, and Stanley Holloway. So while I hope this recording will be as stunning as it ought to be, I hope you will listen the original recording, even if it is after you see the show. It is one that should not go unheard.
Edited because "Hello, Dolly!" was recorded by RCA Victor, not Columbia - though I stand by my statement that it is a perfect recording.
"Sticks and stones, sister. Here, have a Valium." - Patti LuPone, a Memoir
Updated On: 5/25/18 at 01:38 PM