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Brooklyn 9/23 - What I loved - What I Hated — Page 2

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#26

re: Brooklyn 9/23 - What I loved - What I Hated

Matt G - PRECISELY! If the seats were bigger I could sit for the 110 minutes no problem! I mean I can sit to watch a 3 hour movie for crying out loud but you can stretch your entire leg in the new theatres.

luvwicked - the story is developed enough in the 110 minutes I would say it is..not 90... I mean I was a bit confused at the end but my daughter told me... Mom.. you have to think outside the "BOX" re: Brooklyn 9/23 - What I loved - What I Hated
#27

re: Brooklyn 9/23 - What I loved - What I Hated

haha... ok. I guess i'll have to see for myself. How is Eden? Did she sound like she was screaming like she was @ B on B???
#28

re: Brooklyn 9/23 - What I loved - What I Hated

luvwicked - NOOOOOOOO.. I thought Eden sounded better and smoother than on B on B! She was powerful but not one single note sounded like a scream.. I still just think she has to act the songs better...put more feeling into the words...However I could close my eyes and she could the ABC and it would be music to my ears..
#30

re: Brooklyn 9/23 - What I loved - What I Hated

that's awesome! I'm glad she sounded better! I'm so excited to hear the rest of the cast after reading all these posts! They sound great on the CD.. can't waot to hear them live!
#31

re: Brooklyn 9/23 - What I loved - What I Hated

The first preview was buzzing with energy from the stage and audience alike. The strongest points are the cast and the score, fantastic all around. The story is a bit broken up and some of the transitions between the "magic" and "reality" are a bit hazy (Street Singer, real? imaginary? Showing Brooklyn things? All in her head?). The story is woven into the score and we are given bits through-out the show, but its almost too many "bits" and not 3 or 4 solid story expositions. My buddy promptly said afterwards "what exactly is the story again?" The story is a simple one, but the way it is played out makes it more complex and disjointed than it really is.

The optimism in the show is infectious and I can't say enough how the music is wonderful. The ENTIRE cast is terrific and I think Eden might be a strong Tony contender next Spring.

If I had to describe the show, it is PIPPIN mixed with GODSPELL meets RENT with a dash of THUNDER KNOCKING ON THE DOOR. Some parts are corny, yes, but everyone is having so much fun and this pours over into the audience.

I definately plan on going back again and eagerly look forward to a cast album.

GO SEE IT!

ToNy :)
#32

re: Brooklyn 9/23 - What I loved - What I Hated

The show moves pretty fast (At least it did in Denver) and was so entertaining that you didn't care about there not being an intermission. I am friends with someone associated with the show and she said that a few changes were made. I am interested in knowing how they did the "showdown" between Paradise and Brooklyn. For me, it was the weakest part of the show. Not vocally but there was just something about that whole part of the show that didn't hit me. Also, did they remove the audience participation? I was told they were going to either keep it in and see the reaction or take it out for previews and possibly put it back in. I can't remember which. For me, I would prefer it not be part of the show. It seems to break the mood. But all in all, I loved the show enough to see it twice in Denver. Great songs, nice story and the three ladies sing their butts off!
Just give the world Love. - S. Wonder
#34

re: Brooklyn 9/23 - What I loved - What I Hated

I didn't notice any audience participation... and yes the paradice/bklyn showdown was a bit off somewhat or maybe I expected a knock em dead number from Eden like OUAT but she did a song with Cleavant which was great and got a standing ovation but I was a bit confused by that time.
#36

re: Brooklyn 9/23 - What I loved - What I Hated

Ok...then they took it out. I kinda thought that's what my friend said. I can't wait to see what the critics have to say about the show. For me, Karen Olivo was my favorite although they were all good. It will be kinda hard to put this show down. It has great music and a lot of heart. And I do agree about Eden not being able to act the songs well. I felt that here in Denver. But I kind of overlooked that because I was so into her singing.
Just give the world Love. - S. Wonder
#37

re: Brooklyn 9/23 - What I loved - What I Hated

So wickedfan2, your answer to the seat problem is to compromise the integrity of the production so you can stretch your legs. Wouldn't it be better to ask them to change venues? That has a better chance of happening than them adding songs and making the show longer just so they have an excuse to insert an intermission.
PEACE.
#38

re: Brooklyn 9/23 - What I loved - What I Hated

Sueleen - You are absolutely right! Change the venue..then they can leave it intermission-less . But defintely add more songs because those 5 voices need to be showcased more..
#40

re: Brooklyn 9/23 - What I loved - What I Hated

Newcomer: Reviews should, at least, get their own thread.
"We like to snark around here. Sometimes we actually talk about theater...but we try not to let that get in our way." - dramamama611
#41

re: Brooklyn 9/23 - What I loved - What I Hated

As wickedfan2 (many "wickedfan"s these days) said, it is not so much that the show is long but more that the venue is not comfortable to sit that long for. I mean GRAND HOTEL ran for two hours without intermission, and A CHORUS LINE as well. however both were in a theatre that were built as musical theatres. The Plymouth is not a musical theatre it is meant for plays. In JEKYLL and HYDE the orchestra was in a box seat. anyways, if I hadn't thought that the Plymouth was a perfect area for BROOKLYN to be performed i would say change the venue. otherwise i would say, do streaches before you go.
"Sing the words, Patti!!!!" Stephen Sondheim to Patti LuPone.
#45

re: Brooklyn 9/23 - What I loved - What I Hated

No, they just have a complaint. Complaints are allowed to be made aren't they?ot every complaint is demanding they pull all heaven and earth to do it.
"Sing the words, Patti!!!!" Stephen Sondheim to Patti LuPone.
#47

re: Brooklyn 9/23 - What I loved - What I Hated

Another great review i found over the Broadway forums:

"I am an avid theatre "goer" and a "local celebrity" in westchester county. NY where I have performed and directed many shows. Whereas I don't dare compare myself to anyone working professioanlly in NYC, I do consider my knowledge of musical theatre literature and productions vast and substantially backed up by tru8e facts... so everyone reading this, listen to me carefully.... GO SEE BROOKLYN NOW! Get the tickets, regardless of the cost, and see it. You'll be kicking yourself when it is sold out for months because this show is going to succeed.
Regardless if this type of show is to everybody's liking, it is something so new and refreshing it must be seen. Finally a show that isn't trying to make some cheesy movie/ cartoon even cheesier on the stage. This is a new book, new music, and a new concept.
You can read the plot on numerous sites so I won't waste space with those details. I saw the show opening night of the previews and was astonished.
There have been a few shows in the past that have brought ingenuinety to the stage. I consider some of them to be Rent, Edwin Drood, Fantasticks, Once on This Island, and Godspell. Brooklyn combines the successful creative/ direction elements of each of those musicals and creates an improved format to the modern musical (the show within a show of "Drood", the urban reality of "rent", the story telling of "Once on this Island", the tight ensemble/ use of props & set of "Godspell", the depth of "Fantasticks"). Added to the fact that the talent enlisted in this show is beyond amazing, there is no excuse that everyone should not see this show.
My opinions: I loved the fact that it was performed without an intermission. A break in the action would have destroyed the forward motion and emotional progression of the show (and I was hooked into the plot and would have hated an interruption!). I must have cried atleast ten times during the show:
1. Opening number (the intonation of the chords made me tear up as the ring of those notes made me so happy!)
2. Brooklyn's reaction to Faith's death.
3. Once upon a time... just listen to it, you'll cry seeing it live.
4. Laughed so much I cried during Paradice's first number.
5. Flashback scene. (it hit home.)
6. Raven (the emotion of that song is heartwrentching)
7. The moment of isolation after Brooklyn sings Love Fell Like Rain (I won't say anymore than that... go see the show)
8. Streetsinger... they are that damn good folks.
9. Cleavant Derrick's final monologue ( was there a dry eye in the house?)
10. The curtain call... i was so touched and impressed I felt a feeling of pride for a cast I have never met or known.

You must see this show. It is excellent in every degree and I can't stress how refreshing it is. It is also humorous, fun, entertaining, emotional, introspective, and cleverly directed. I believe it is from the same director who directed the Deaf Company production of Big River, and, if you can handle it... this show is more beautifully directed than that one with even more poignance.

I went into seeing this show completely unbiased. Now, I am absolutley jaded about it. I will preach this show. Please see it.

Feel free to e-mail me if you need any more convincing:
chachnyspring97@aol.com

With admiration to a great beginning of a long Broadway run,

chach


p.s. This show is nothing like Miss Saigon. If that's what one thinks is apparent, one totally missed the point of the show and needs to see it again."
http://www.BrooklynTheMusical.info
#50

re: Brooklyn 9/23 - What I loved - What I Hated

wickedfan2, Amneris told me you were there (well, she used very vague, hard to understand, muted sign language from across the orchestra) that you were sitting a few rows in front of us. But I never got to see you, and that makes me sad. I would have loved to meet you. What a great show, isn't it?

About the intermission, I think having an intermission would have put an awkward sort of sharp drop in the middle of the show. It's supposed to feel like you're just passing by this group of streetsingers (The City Weeds! *clap*) and stop to watch. Street performers don't have intermissions. I guess they just wanted it to feel as real as it could be.

And you said a lot about how the actors lacked more ways to shine and show off their vocal talent, but I don't think that's what BKLYN is about. It's a story, not a showcase. At least that's how I like to see it.
You know it and you want it... you just can't believe you've got it.

Updated On: 9/24/04 at 11:31 PM

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