but remember: In this production, Doyle wants us to believe that Toby is the dangerous one, not Sweeney. This production is centered around Tobias (even thought he is not the lead and some material is cut) and I think that gives Mano a chance. Thanks for the
reminder. 'Cause Doyle could've fooled me. I've seen SWEENEY five times and each time I was extremely underwhelmed and disappointed by the lack of depth in Mr. Felciano's portrayal of Tobias. The production is centered around Tobias? Maybe Doyle was shooting for that, but Toby remains the most forgettable character for me in this production of SWEENEY TODD. Every other performance stood out in its own way, but Toby was practically invisible in this production. Felciano did nothing to differentiate the role from anyone else. In fact, he was the least interesting character in this production. He certainly did not make the role his own. In past productions I've seen (specifically the Goodspeed Opera House production of SWEENEY several years ago), I found myself intrigued by Toby. But not here. Dull dull dull.
I would be thrilled to see Danny Burstein go home a winner, or Jim Dale, or Christian Hoff. I thought Dixon was great, but not a Tony winning performance, per se.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Updated On: 5/31/06 at 05:29 PM