The cinematic problem with Cats is the same problem with A Chorus Line. There is only the smallest structure of a plot holding it in place. Each character comes forward, tells his/her story, then we move to the next. Then they pick a favorite (or favorites) for "redemption." The End.
Don't get me wrong, they both work beautifully on stage. A Chorus Line takes place in real time, with some "surreal" montage moments that don't so much qualify as full-on flashbacks as emotional illustrations of past or current (in the case of "One"
events. But we never leave the theatre. The film adaptation tried to "fix" that by leaving the stage for scenes played off to the side or for flashbacks, and every time they did, it lessened the tension and undermined the emotions holding it together.
For "Cats" we're in a garbage dump. But there are opportunities to flash back and illustrate events that take place outside the location. That's helpful, but Cats is also a "mood piece" of poetry and dance. If you leave the location too much or remove the dancing and the immediate atmosphere, you will lose the focus as well, just like ACL.
These are not "easy" adaptations to film. They could come off as repetitive and dull, where "nothing happens" for two hours.
Also the big payoff of seeing Grizabella ascend to the Heavyside Layer might not be as effective on film as spectacle unless they're willing to cough up some serious bucks to make it epic in scale. Otherwise, they'll end up leaving audiences with "That's it?" That's the big finale?" On stage it WAS a big finale. But they weren't competing with today's slew of CGI-ridden films where audiences are getting used to grand spectacle.
If they really want to do this as a film (and I'm doubtful), I wish them luck.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
Updated On: 2/8/16 at 02:51 PM