The first act is (reviews be damned) mostly quite a lot of fun, LuPone in full command, never overcooking, even when the script invites her to. She keeps a lid on the camp potential, even in a badly directed scene in the frontseat of a car. The second act is harder to warm to for many reasons, the play piles on a lot of plot, some gay blackmail stuff that is hard to invest in (and parse), and some predictable melodrama.
But if you are a LuPone follower, it's an unmissable event this summer. Was it written for her? It seems to have been. Fans and detractors: She is absolutely at the top of her game, and you can't take your eyes off of her, waiting for her to brain an idiot with a cell phone or merely playing the hell out of the script that's never as good as she is. I wanted to love Michael Urie, whose warm connection to the audience at the top is winning. But the play doesn't give him much to do until very late, and then it's not all that compelling, despite his charm and effortless ease with the narrative.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 7/8/15 at 08:13 PM