Well, I learned a couple of things from reading that ...
I suppose I'm not surprised to hear that wasn't Geffen who wanted Ellen Greene after all. It was Oz and Ashman. They both pushed for her screen test before he approved her. Geffen is the one who wanted a star (Cyndi Lauper).
I'm also surprised to learn the reason why Geffen had the first DVD pulled. I had heard he didn't want the ending to be seen at all. This interview says he didn't care about that, but he wanted the color version, which didn't (doesn't?) exist.
About the color ending ...
When you're working on a film, you use work prints and you strike a positive for screening purposes. It's usually a one-off. Of course, we're talking about the days with actual film and actual negatives. They wouldn't cut or compromise the actual negative until the film was approved for distribution. Then they would cut it and start making hundreds (or thousands) of copies.
So my guess is that they may (I hope!) still have all the color negative footage, but it was never actually cut into a finished/final sequence.
If they wanted to spend the time and money, and they still have all the elements, they could cut together the original ending from the excised footage and use the old B&W work print and (hopefully) any editor's notes to piece it all together now.
But if they don't have the cut elements or they don't want to spend the money, all they have left is Frank Oz's black-and-white work print (as seen on the old DVD).
EDIT: And that color photo in the article looks like a production still, taken while they were filming the sequence. I have to say it looks far more impressive in color. After seeing the B&W version on YouTube, it looked like an old Godzilla movie, which was effective but not necessarily hugely impressive. Seeing that one color production still made me really want to see this final sequence in full, restored color.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
Updated On: 5/16/12 at 06:03 PM