#26
Posted: 2/23/17 at 1:40am
If you say so, Mark, I'll give it another listen.
David Yazbek wants a Full Monty revival — Page 2
#27
Posted: 2/23/17 at 2:03am
The Full Monty is a fun show with a strong score. The show has lots of heart.
#28
Posted: 2/23/17 at 2:41am
MarkBearSF said: "I love the score for his humor, clever rhymes, and bouncy beat. It's a fun score. Will it ever reduce me to tears like just a few bars from numerous Sondheim tunes will? Of course not. But I love playing it in the background or singing along in the car to "Life WIth Harold," "Jeannette's Big Showbiz Number" or "Big Black Man.""
I also think "Scrap" does a great job of presenting the blue collar male dilemma at the top of the show.
#29
Posted: 2/23/17 at 8:17am
I agree, Mark. “Scrap” is a pretty acute little psychological dissection. For my money, “Breeze Off the River” is as beautiful and likely to get me teary as “You Walk With Me.” And “Jeanette’s Showbiz Number,” “Life With Harold,” “It’s a Woman’s World,” “Big Black Man,” “Michael Jordan’s Ball,” and “Let It Go” never fail to get me singing, happy, and charged up. The show is book-heavy, so my only complaint about the score is that it feels incomplete at times. I wish the show had one or two more songs and that a couple of the them in there were longer.
CHURCH DOOR TOUCAN GAY MARKETING PUPPIES MUSICAL THEATER STAPLES PERIOD OIL BITCHY SNARK HOLES
#30
Posted: 2/23/17 at 9:54am
I haven't seen the film since it was released but I've seen three productions of the musical. There are several character arcs but each feels underdeveloped and hastily resolved.
Jerry learns to be a better father. (resolved in a sweet but problematic book scene late in the show)
Jerry overcomes his homophobia (the klunkiest moments in the book IMO. Act One: "I hate fairies." Act Two: "Good for them."
Dave and Harold overcome their marriage problems (resolved in a late show reprise where the cartoon-ish wives suddenly become sensitive souls)
Malcolm and Ethan fall in love (resolved in a deceptively pretty song that's actually a tribute to Malcolm's dead mother, making the romantic aspect of it creepy).
All of the men find self worth despite unemployment.
Each production I've seen has had fit and conventionally attractive actors in the roles of Jerry, Malcolm and Ethan. We also get Keno and some fit chorus boys stripping in the first act. The show can easily become more about eye candy than any of the aforementioned themes.
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Updated On: 2/23/17 at 09:54 AM
#31
Posted: 2/23/17 at 10:11am
I'm not so crazy about this show; the source material is small, weird, sentimental, and quirky. I think that McNally ironed out the quirks and weirdness and amplified the sentiment. And Yazbek's songs generally feel like good starts but not quite finished (to me).
Updated On: 2/23/17 at 10:11 AM
#32
Posted: 2/23/17 at 11:01am
MrsSallyAdams said: "I haven't seen the film since it was released but I've seen three productions of the musical. There are several character arcs but each feels underdeveloped and hastily resolved.
Jerry learns to be a better father. (resolved in a sweet but problematic book scene late in the show)
Jerry overcomes his homophobia (the klunkiest moments in the book IMO. Act One: "I hate fairies." Act Two: "Good for them."
Dave and Harold overcome their marriage problems (resolved in a late show reprise where the cartoon-ish wives suddenly become sensitive souls)
Malcolm and Ethan fall in love (resolved in a deceptively pretty song that's actually a tribute to Malcolm's dead mother, making the romantic aspect of it creepy)..."
Thank you for identifying what had bothered me - although I don't agree with your characterizations of the wives. As I said, I had forgotten the details of my problems with the second act plot resolutions, but this is exactly it. (Except for the last point, which I hadn't noticed).
Although I still love the score and will probably see it again at some point.
Updated On: 2/23/17 at 11:01 AM
#33
Posted: 2/23/17 at 11:01am
I don't disagree with that assessment about McNally's book, newintown. And I love the movie, which itself is ultimately pretty sentimental, but certainly scruffier. I wouldn’t break my neck mounting a defense of it as a “great” show, but for me, it’s very much a comfort-food show, and I don’t have many of those.
CHURCH DOOR TOUCAN GAY MARKETING PUPPIES MUSICAL THEATER STAPLES PERIOD OIL BITCHY SNARK HOLES
#34
Posted: 2/23/17 at 12:24pm
Jackie Hoffman would ruin it. She is so over the top. Kathleen Freeman was never over the top, not to suggest there aren't other ways to play the role.
#35
Posted: 2/23/17 at 12:24pm
Jackie Hoffman would ruin it. She is so over the top. Kathleen Freeman was never over the top, not to suggest there aren't other ways to play the role.
#36
Posted: 2/25/17 at 10:59pm
Dollypop said: "James Snyder as Jerry. Mary Tests as Jeanette
"
But who is Mary Test? Is she related to Johnny Test, cousin or kin to Johnny Quest? I've never heard of this person. I've only seen the show once but MARY TESTA would be great as Georgie. She'd blow that out of the park vocally. Although she is probably way to old for the role now.
#37
Posted: 2/26/17 at 7:57am
MONTY at Paper Mill had the ideal Jeanette: Elaine Stritch. She was perfection.
#38
Posted: 2/26/17 at 8:30am
Stritchy was outstanding in the role, essentially playing herself (even wearing her signature white shirt and black leggings). I never saw Kathleen Freeman, but Jane Connell, who was playing the role when I saw it on Broadway, was great.
The role works with anyone who can be salty and ham it up. Hoffman fits that to a t, as does Mary Testa.
#39
Posted: 2/26/17 at 6:01pm
Whoopi Goldberg ad Jeannette?
"Long live God!" (GODSPELL)
Updated On: 2/26/17 at 06:01 PM
#40
Posted: 2/26/17 at 6:05pm
Oh, I could definitely get into Whoopi as Jeanette.
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