Your quibbles are interesting, MarkBearSF. I’ve seen professional, college, and community theater productions of TFM, and no matter the varying levels of questionable talent involved, either onstage, in the pit, or from the creative team, the show always, in my opinion, seems to succeed in spite of them. Because of that, I’ve always seen the show as a foolproof crowd-pleaser, and, though I love the score, I’ve attributed that strength to the book, which admittedly isn’t perfect, but really seems to – I don’t know – in the end, get the job done? I consider the book, as they say, “solid.”
CHURCH DOOR TOUCAN GAY MARKETING PUPPIES MUSICAL THEATER STAPLES PERIOD OIL BITCHY SNARK HOLES