I've seen both done very well, but I think projections are better suited for more contemporary subject matter. For example, they work well in Dear Evan Hansen but would be jarring and anachronistic in a show like Phantom.
The idea of a set created entirely out of projections was somewhat revolutionary when The Woman in White opened, but they didn't go over very well in such a distinctly period piece. However, the two approaches have been married successfully in shows such as Miss Saigon, where a projection suggesting the incoming helicopter is eventually directed onto the physical prop and then dimmed out as the real helicopter comes to life.
A recent example of a less successful pairing (in my opinion) is Anastasia, where the same minimal, physical set pieces (basically a pair of curved white walls and connecting columns) are used for most of the show and projections of various settings are displayed to fill in the gaps. Like Phantom and The Woman in White, Anastasia is a period piece and I thought the projections - while generally beautiful - were a bit too hyper-realistic for the story. It felt to me as though the characters were interacting in a video game. However, I did find the "ghost" projections in the ballroom scene to be very effective.
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Updated On: 6/1/17 at 08:24 AM