Elaine Stritch at Liberty DVD question

Since it is all individual stories/songs, I'm sure it is a very easy show to edit down without it being noticeable. That said, if you already want to see it, you'd probably also want to see it with those 50 minutes intact, so I'd track it down. It's probably not too hard to find.

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The 89 minute version cuts out all the untruths that she told. It should have been retitled At Liberty Sans Lies.

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I have a burned copy somewhere from NETFLIX years ago, and I just watched off youtube. Amazing.

I love her so much. I just wanted a hard copy for my collection, but I'm satisfied for the youtube rip on my iPad for now.

I'm going to grad school in CT, and every time I am on the Merritt Parkway driving to or from school to new york, I think about her story about covering Merman and also singing in Pal Joey in New Haven. Brings a smile to my face without fail.

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"And which "untruths" would you be referring to, Gothampc?"

Some of the stretching of the truth that Elaine has done. I think all of these incidents are in the show, but if they're from other sources, then I apologize.

Elaine mentions being considered for Dorothy on Golden Girls. While she may have auditioned for Susan Harris, I think it was just a courtesy interview. I've heard Harris say in an interview that she had Bea Arthur in mind when she wrote Dorothy. Plus Stritch didn't have the same draw that Bea Arthur had. Rue and Betty were well known on tv, but only Betty had carried her own show and that had failed. A sitcom about menopausal women needed an actress who had already carried a successful show and without Bea Arthur (or someone of her status) the series never would have been made.

There is a story she tells about doing a production of The Women. It ends with Stritch leaving the show and playing the victim saying that the other actresses ganged up on her. Yet, by her very own admission, she was drinking before shows. If you were an actor in a show, would you want to go onstage with someone you knew was drinking right before performance?

She talks about wearing two different earrings during Company. This may have been done in a rehearsal to see which color worked better on stage, but you do you think theater veterans Harold Prince and Steven Sondheim would let something stupid like that go before a paying audience?

She talks about thinking that "a piece of Mahler" was a pastry. Didn't she have access to a dictionary? Was there no NY Public Library or a bookstore in NYC?

All of these stories are great entertainment, but she really stretches the truth beyond credibility.

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Of course Sondheim knows a good line. He's written thousands of them.

But Stritch also could have approached Sondheim, already knowing what it was, just to yank his chain. Stritch was a master at creating a stir. Merman tells in her autobio about Stritch riding her bike in Central Park in a bra and getting stopped by a policeman. Do you think Stritch was that dumb?

Also the year Stritch won the Tony Award, she gets up onstage and fumbles around with her speech. She starts playing the victim when the orchestra starts to cut her off and the show went to commercial with her being hysterical. Did she think she had all night to talk or was she doing it to create a stir or yank someone's chain?

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Updated On: 1/25/14 at 10:39 PM

Do you think Stritch was that dumb? [...] Did she think she had all night to talk[...]?

Frankly, though admittedly I've only worked in this industry for a short time, I will simply say that actors are a rare breed, to put it as politely as possible, and not even a bit of this would surprise me if it were the case.

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"Two's Company" was a big hit in the UK. Stritch carried it for four seasons."

Actually, she didn't carry the show. Donald Sinden was her co-star.

At the time of The Golden Girls, having co-starred in a British sitcom wouldn't have had that much impact. I was very in tune with British culture and I didn't know about Two's Company until it was released on DVD. In America it wasn't a high profile show like Upstairs, Downstairs was.

I still maintain that Susan Harris needed Bea Arthur (or someone of her caliber) to sell Golden Girls to the network.

It's difficult to tell whether Stritch's account of the story has any fact or is completely embellished. Would she really go into an audition that she seriously wanted, ask to change the dialogue to "Pass the f*cking hors d'oeuvers" or whatever the line was? That sequence just comes off more nasty than funny.

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I'm not walking anything back.

Elaine says that she asked if she could change the dialogue and used the "F" word. All I would like to know is if that really happened or was it just embellished to make the story more interesting? If that really didn't happen, then it's a lie.

I think madbrian's comment "It wasn't presented as documentary" is a valid point. The reason I'm so interested in this is that Stritch won the Tony for this over Bea Arthur's show which seemed to pretty much tell the truth about Bea's career.

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So there's no different between calling something "untruth" and then saying "I would like to know if that really happened"? Seems like you were pretty certain initially...

So your concern is that your impression is that Bea's show was more truthful than Stritch's, based on no empirical evidence, and that it won the award from a show you thought was better, despite the truthfulness of the show having no bearing on the award?

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https://youtu.be/JqVhLjK4ymQ

http://phfilms.com/films/elaine-stritch-at-liberty/

Where can this be found? This was my first introduction to this marvelous performance and found the backstage bits very interesting. It was on HBO on demand for about two months. I'd love to see it again but can't seem to find anything but the full stage show.