I would recommend this one; the orchestra, although overmiked as always at Encores, sounds gorgeous, with a true string section and a terrific percussionist who is a master on the vibraphone. Ryan Silverman and Barton Cowperthwaite are utter perfection in their roles. When they take stage, one can't look away from them. The principal women fare somewhat less well (except for the always terrific Ashley Brown), primarily due to very lazy diction, which can be a death knell in a through sung show with clever lyrics. Lindsay Mendez, although vocally quite pretty (but facile), must be the most sex-appeal-free Helen of Troy ever seen on a stage.
It's easy to see why the show has never enjoyed commercial success; the structure is quite odd, with a one hour first act that is basically little more than very very slow set up for a much longer second act that is little more than a series of cabaret numbers. But Moross's music (mostly self-orchestrated, and gorgeously, too, although sometimes a bit too derivative of his teacher, Copland) and Latouche's exceptionally smart and funny lyrics are worth the slack plot.
Updated On: 5/10/17 at 08:17 AM