#1
Posted: 12/18/13 at 3:52pm
What is your favorite floor elevator stage entrance/exit?
Updated On: 12/18/13 at 03:52 PM
Favorite Floor Elevator Entrance/Exit?
#2
Posted: 12/18/13 at 3:54pm
First thing that comes to mind is Show Off, from Drowsy Chaperone.
"It does me no injury for my neighbour to say there are 20 gods or no god. It neither picks my pocket, nor breaks my leg."
-- Thomas Jefferson
#3
Posted: 12/18/13 at 3:56pm
All That Jazz
Art has a double face, of expression and illusion.
#4
Posted: 12/18/13 at 4:01pm
I second the velma-vator and add
Frank in Rocky Horror
Frank in Rocky Horror
"Grease," the fourth revival of the season, is the worst show in the history of theater and represents an unparalleled assault on Western civilization and its values. - Michael Reidel
#5
Posted: 12/18/13 at 4:14pm
The Lady of the Lake in Spamalot.
"I don't want the pretty lights to come and get me."-Homecoming 2005
"You can't pray away the gay."-Callie Torres on Grey's Anatomy.
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#6
Posted: 12/18/13 at 4:19pm
The Genie entrance/exit in the upcoming Aladdin is probably the only good thing about the show.
#7
Posted: 12/18/13 at 4:25pm
At Trinity Rep, for several years they did A Christmas Carol. They have a small model of Big Ben rise up to stage level and Scrooge flies over the clock. Such great imagery. Such great magical theater.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
#8
Posted: 12/18/13 at 4:28pm
I enjoyed the two bookend floor elevator entrances and exits in Mary Poppins- her almost toaster-like shooting up from behind the family in Act 1, and the gleefully absurd sequence when she sends the rival nanny to hell in a birdcage in Act 2.
#9
Posted: 12/18/13 at 4:58pm
Ursala's death in Little Mermaid.
#10
Posted: 12/18/13 at 8:30pm
Gregory Hines entrance in JELLY'S LAST JAM. Unforgettable.
#11
Posted: 12/18/13 at 8:46pm
The Witch's exit in the 2002 revival of Into the Woods, at the end of "Last Midnight".
#12
Posted: 12/18/13 at 8:46pm
Double post...
Updated On: 12/18/13 at 08:46 PM
#13
Posted: 12/19/13 at 12:01am
^ YES! I LOVED how she swirled into the deck in a flurry of red fabric after shedding her skin and hair. So creepy.
"There’s nothing quite like the power and the passion of Broadway music. "
#14
Posted: 12/19/13 at 7:24am
Seconding "Show Off" from Drowsy, if only because the exit itself is mentioned in the lyric.
#15
Posted: 12/19/13 at 3:57pm
Lola's entrance in the Damn Yankees revival.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
#16
Posted: 12/19/13 at 4:02pm
Chita as Velma in original Chicago..........thrilling
#17
Posted: 12/19/13 at 4:13pm
I have to agree with the Witch's exit at the end of Last Midnight in the 2002 Into the Wood's revival. It was very creepy and the visuals (her tearing off her hair and bits of her dress) with the spinning downward was just fantastic. I must say that I didn't like much about this production but this was definitely a highlight. And I know that you can find clips of this scene. But believe me when I say that it can not compare to have seen it done live. I didn't see any of it coming and it was just wonderfully shocking. The Witch's transformation was also handled with the same elevator. However, for that it lifted and spun her into the air. Two fantastic stage effects.
#18
Posted: 12/19/13 at 4:55pm
"Lola's entrance in the Damn Yankees revival."
It's been so long that I only remember how they did it on tour, which did not involve a trap, as I recall. From my recollection of the tour there was a set piece (maybe a furnace/boiler) in Applegate's apartment that had doors that swung open with a mylar shimmer curtain inside through which we first see Lola extending just one leg, then the rest of her followed.
Now I'm racking my brain trying to remember if it was different on Broadway, but that is coming up on 20 years since I saw it! (which is crazy to think of in and of itself)
It's been so long that I only remember how they did it on tour, which did not involve a trap, as I recall. From my recollection of the tour there was a set piece (maybe a furnace/boiler) in Applegate's apartment that had doors that swung open with a mylar shimmer curtain inside through which we first see Lola extending just one leg, then the rest of her followed.
Now I'm racking my brain trying to remember if it was different on Broadway, but that is coming up on 20 years since I saw it! (which is crazy to think of in and of itself)
#19
Posted: 12/19/13 at 5:04pm
"Now I'm racking my brain trying to remember if it was different on Broadway"
I think wasn't Bebe brought up from underneath the stage. Was she on a piece of furniture? A bed or sofa? I can't remember.
I think wasn't Bebe brought up from underneath the stage. Was she on a piece of furniture? A bed or sofa? I can't remember.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
#20
Posted: 12/19/13 at 5:11pm
Red Death in the Phantom of the Opera
#21
Posted: 12/19/13 at 5:18pm
Sweeney's rise from the grave in the original production of Sweeney Todd.
#22
Posted: 12/19/13 at 6:20pm
morosco - I second that. Everything about the original SWEENEY was breath-taking.
#23
Posted: 12/20/13 at 4:54am
I loved the entrance of the 'Greek Chorus' in Legally Blonde.
The exit of the mine workers in Billy Elliot at the ending of 'Once we were kings' is absolutely thrilling and gives me goosebumps every time!
The exit of the mine workers in Billy Elliot at the ending of 'Once we were kings' is absolutely thrilling and gives me goosebumps every time!
#24
Posted: 12/20/13 at 9:59am
It's a movie but it all comes back to this:
I'm melting, melting. Ohhhh, what a world, what a world. Who would have thought that some little girl like you could destroy my beautiful wickedness.
#25
Posted: 12/20/13 at 10:13am
I love the Witch's entrance in "The Wizard of Oz" even more than the melting-it scared the crap out of me as a kid.
I also love the Mine Workers' exit in Billy Elliot as well as the original entrance of Sweeney Todd (saw that as a kid, too, on TV, and it really scared me).
An addition-the Phantom's Act 2 entrance is pretty cool.
I also love the Mine Workers' exit in Billy Elliot as well as the original entrance of Sweeney Todd (saw that as a kid, too, on TV, and it really scared me).
An addition-the Phantom's Act 2 entrance is pretty cool.
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