When I was in 6th grade I became obsessed with the
42nd Street overture. In fact I started a campaign - inside my head - for a new Tony Award category: Best Overture. We had a rockin' campaign, but unfortunately lost out in the finals. Still, great times, and a kick-ass overture.
Another overture that I feel, from beginning to end, tells the story and conveys every emotion of the show's upcoming events is that of
Titanic. That overture still gives me the chills just listening to it on the OBCR. Gorgeous score.
*A note about overtures: It seems like up until a certain point in musical theater history, overtures were a staple to every new score. And then somewhere along the way shows came out that didn't include an overture. Nowadays it's not surprising for a show to start with no overture at all.
**Also, a pet peeve of mine is when audience members talk during the overture. Grr.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Updated On: 8/31/06 at 09:03 AM