FOLLIES is the best score Sondheim has written, in my opinion. In fact, I think it's the best score anyone has written. Following close behind are COMPANY, SWEENEY TOOD, PACIFIC OVERTURES, INTO THE WOODS, SUNDAY IN THE PARK WITH GEORGE and PASSION. But anything by the great man is outstanding.
The Avery Fisher Hall concert recording is a good one to start with, perhaps, if you don't have anything by Sondheim - a collection of great songs from various shows by a great cast. What that does not give you, of course, is the overall dramatic context of songs that you will get from the complete score of a single musical. And Sondheim's work is appreciated at its best when you listen to it in its dramatic context. That is what he is the master at - writing songs that merge drama and or/comedy with song to advance the plot of a musical scene. Still, the concert CD has 3 absolute gems amongst its many great performances - Bernadette Peters' "Not A Day Goes By", Jerry Hadley & Carolann Page's beautiful rendering of "With So Little To Be Sure Of" and the awesome combination of "Our Time" and "Children Will Listen" by Betty Buckley and the Harlem Boys Choir.
(Shame it does not have "The Ladies Who Lunch" (from COMPANY) or "Somone In A Tree" (from PACIFIC OVERTURES), though - they are totally contrasting knockout numbers that really demonstrate Sondheim's genius.)
THEATRE 2020: CURTAINS**** LET'S HEAR IT FOR THE GIRLS***** WICKED***** KEITH RAMSAY TAKING NOTES WITH EDWARD SECKERSON***** KAYLEIGH MCKNIGHT CONCERT***** RAGS***** ON MCQUILLAN'S HILL** DEAR EVAN HANSEN***** THE JURY***