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Feldshuh and Feldman will debate the accuracies/inaccuracies of IRENA'S VOW on Theater Talk 6/19

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#4

re: Feldshuh and Feldman will debate the accuracies/inaccuracies of IRENA'S

what are the inaccuracies being cited? anyone know?
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal "I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
#6

re: Feldshuh and Feldman will debate the accuracies/inaccuracies of IRENA'S

I would tell anyone to read "In My Hands" which is the memoir of this incredible woman (Irena Gut Opdyke). I will just say that the times in the play when you think "wow, that seems impossible," it's because the story on stage is very different from the memoir.

I can see why the play does what it does, because it allows the story to be told in 90 minutes. But the memoir tells a story that takes a little longer to get through but is just as inspiring - in fact, even more so.
#7

re: Feldshuh and Feldman will debate the accuracies/inaccuracies of IRENA'S

Here's a letter of mine that TIME OUT published in April, which may or may not have contributed to this brouhaha:

Vow veracity
In his review of Irena's Vow [Theater, TONY 705], Adam Feldman states that playwright Dan Gordon has an "impulse to tart up the story, as when he invents a major plot point involving the birth of a baby among the hidden Jews." Following the April 2 performance, there was a Q&A involving the daughter of Irena and a man representing himself as the one born in hiding. So who is full of crap?your reviewer, or was that an imposter and fraud who stood on the stage of the Walter Kerr Theatre and took questions from the audience?
Martin R, Manhattan

Read critic Adam Feldman's response to the issue and playwright Dan Gordon's comments at timeoutnewyork.com/upstaged.


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Updated On: 6/11/09 at 04:11 PM

#10

re: Feldshuh and Feldman will debate the accuracies/inaccuracies of IRENA'S

what bothers me is that for some reason people seem to think this is the only play in the entire history of broadway to take liberties with timeline or what have you. really???? get a grip and remember its theatre not a documentary. how childish

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