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Flops

Shakenblaken
#1Flops
Posted: 4/1/12 at 11:48pm

I am sure this has been asked, but what makes a Broadway musical flop or is unsucessful?

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Jordan Catalano
#2Flops
Posted: 4/1/12 at 11:52pm

If a show is unsuccessful, it flops.

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ChenoKahn
#2Flops
Posted: 4/1/12 at 11:52pm

What? That is such a poorly constructed sentence.

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broadwaydevil
#3Flops
Posted: 4/1/12 at 11:55pm

How is babby formed? How girl get pregnant?


Scratch and claw for every day you're worth! Make them drag you screaming from life, keep dreaming You'll live forever here on earth.

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SNAFU
#4Flops
Posted: 4/2/12 at 12:02am

OK despite the snark, A flop is a show that doesn't make back it's initial investment.


Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!

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aasjb4ever
#5Flops
Posted: 4/2/12 at 12:02am

When mommy and Ron go to her room, they make loud noises and why does daddy cry himself to sleep?

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goldenboy
#6Flops
Posted: 4/2/12 at 12:04am

There are critical flops.
There are financial flops.

A critical flop is when the critics pan the show en masse.
A financial flops is when the investors don't make their money back.
Sometimes shows are both .. critical and financial flops.
Sometimes a show that is panned critically, runs anyway.

For example... Mama Mia-- a critical flop (which was critically panned) that is a financial success as it has run for years and has companies in many cities.





Then there is Finian's Rainbow- the Revival a year or two ago that was critically praised but it didn't do well at the box office and was a flop in that it didn't make money. So it was a financial flop.

Then there are shows like the original Carrie. It was critically a flop and financially a flop. Other downright flops which are critically and financially a flop were The Pirate Queen, Shogun the musical, Breakfast at Tiffany's or Holly Golightly, Ari, Home Sweet Homer.

Then there are flops that are a shame- like Bonnie and Clyde, Dear World, Mack and Mabel.

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ChenoKahn
#7Flops
Posted: 4/2/12 at 12:09am

Mamma Mia was not panned. Terrible example. Wicked is a far better example.

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Jordan Catalano
#8Flops
Posted: 4/2/12 at 12:12am

Mamma Mia's reviews are an entirely different discussion that has to do with Post 9/11 feelings on what people needed at that particular point in time. It's well speculated that had 9/11 not happened that show would probably not be running right now.

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ChenoKahn
#9Flops
Posted: 4/2/12 at 12:14am

No matter the circumstance it still wasn't panned by critics.

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Jordan Catalano
#10Flops
Posted: 4/2/12 at 12:15am

That was my point. It's reviews, I don't think, were what they really would have been (negative) had it not been for the time that it opened.

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ChenoKahn
#11Flops
Posted: 4/2/12 at 12:18am

Very true. If something else started the jukebox musical craze Mamma Mia would have most likely closed within weeks (most likely due to being destroyed by critics).

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philly03
#12Flops
Posted: 4/2/12 at 12:21am

There are also "flop-hits" which flop for either financial reasons (Sunset Boulevard - 3 years on B'way) or both financial and critical reasons (Jekyll & HYDE - 4 years on B'way) which managed to find and audience and last for respectable runs.

There are also mega-flops like WONDERLAND ($13 MIL) or A Tale of Two Cities ($16 MIL) which lose pretty much everything of the investment in an extremely short amount of time. Updated On: 4/2/12 at 12:21 AM

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CurtainPullDowner
#13Flops
Posted: 4/2/12 at 12:38am

Gertrude Stein once said:
A flop, is a flop, is a flop.

If a show can find it's audience it will make it's investment back and become a Hit.
If a show flounders on discounts and half empty houses for years and can't meet it'e nut and drains the producers' money, it is a Flop.

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blaxx
#14Flops
Posted: 4/2/12 at 2:06am


If it doesn't recoup its investment, it's a flop - whether it ran for 35 years or 1 night.

There's no "critical flops" or, as much as you adore a composer, a "flop-hit". That doesn't exist.

This is the only objective way to measure if the Broadway production, as a business, was profitable or not. It is black and white. Everything else is subjective.


Listen, I don't take my clothes off for anyone, even if it is "artistic". - JANICE

After Eight
#15Flops
Posted: 4/2/12 at 6:52am

" It's well speculated that had 9/11 not happened that show would probably not be running right now."

Speculated by whom? An idiot?

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ChenoKahn
#16Flops
Posted: 4/2/12 at 7:16am

Actually most people seem to agree on that. It most likely would have gotten panned by critics and word of mouth probably wouldn't have been good enough to keep it open. Even if it lasted it probably wouldn't be the 10th longest running show in Broadway history.

After Eight
#17Flops
Posted: 4/2/12 at 7:38am

^

Nope.

It would have caught on with the public no matter what the critics had said.

Oh, and incidentally, who's to say the critics wouldn't have liked it anyway?

Let's face it. Such "speculation" is just sour grapes on the part of bitter snots who can't stand the thought of audiences having a good time.

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broadwaydevil
#18Flops
Posted: 4/2/12 at 9:02am

Perhaps, but that was also an incredibly speculative statement: "It would have caught on with the public no matter what the critics had said."


Scratch and claw for every day you're worth! Make them drag you screaming from life, keep dreaming You'll live forever here on earth.

lupone76
#19Flops
Posted: 4/2/12 at 9:19am

Hello people, Mamma Mia can be annoying to some but basically it's 2 1/2 hrs of pure mindless entertainment which is exactly what some people are looking for at the theater. It's totally an escape show. Is it Sondheim, or Les Miz absolutely not. For what it is tho it does well and deserves to run perhaps another 10 years. Keeping audiences happy and feeling good.

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Mister Matt
#20Flops
Posted: 4/2/12 at 9:28am

It's well speculated that had 9/11 not happened that show would probably not be running right now.

It's also well speculated that based on the international appeal and the overnight hit that occurred when the show opened in the West End in 1999, that it would probably do well on Broadway. Which is why it transferred. I don't think the critics or 9/11 had anything to do with its success on Broadway. It's a show that was always going to appeal to women and tourists (and many gay men).

Actually most people seem to agree on that.

Which people? Musical theatre enthusiasts that don't like Mamma Mia? In that case, most people agree that I'm the best sex they ever had. It's been well speculated.

Perhaps, but that was also an incredibly speculative statement: "It would have caught on with the public no matter what the critics had said."

Perhaps, but there is more support for that statement than saying 9/11 is the only reason the show is still running. Mamma Mia didn't open cold on Broadway. It was a smash in London and the pre-Broadway tour was doing well and picking up steam.


"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
Updated On: 4/2/12 at 09:28 AM

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chewy5000
#21Flops
Posted: 4/2/12 at 9:41am

I think this thread is a flop

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themysteriousgrowl
#22Flops
Posted: 4/2/12 at 9:58am


Well, it certainly is a flop in some departments.
Flops


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PattiLover
#23Flops
Posted: 4/2/12 at 1:34pm

^^^ LOL, the first thing I thought of when clicking on this thread. I am the earth mother and you are all flops.


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