Future of SRO/LOTTERY/GR on Broadway

Just like the stage door, I don't think it'll necessarily come back immediately but it will in the long run

ElphabaGoodman's comment about lotteries is spot-on - unless producers decide that they are so desperate for money that they don't sell any tickets for that low amount, but that mindset isn't in line with the generally accepted business model for theatre. Historically, the bigger the flop, the more seats are comped and discounted.

As for rush, it's possible that we'll see an increase in digital rush policies as a result of this, but I don't think social distancing is much of an obstacle for in-person rush lines. Plenty of productions (especially plays) don't even draw large morning crowds for their in-person rush. It's only the really popular shows that might run into issue with the line running down the street. And even then, people can always space themselves out along the sidewalk if necessary. Just like everybody has been doing for lines in NY for the past few months. 

 

One more time.

There will be no Broadway until (a) the idea is cleared with public authorities and (b) everyone, on both sides of the fourth wall, is comfortable (whether through vaccine, other immunity, or effective treatments) being in an enclosed space close to other people and without masks. And when that day arrives, there will be no reason to limit any of the listed things. 

Jarethan said: "HogansHero said: "Curious. In your gut, do you think Rudin was a little aggressive in announcing an early April date for start of MM performances? I have to admit that I am, and am already wondering how many people are going to end up having their new MM tickets exchanged for yet another date (or refunded). I assume he is putting a stake in the ground that reflects (a) some optimism) and (b)that works with Jackman's schedule. I tend to be conservative where my health is concerned."

No one knows of course, and Rudin is at the mercy of the governor and the unions so you could call the aspirational, but I don't necessarily think aggressive. I think what Rudin is doing is locking some people in for the time being, and also satisfying some contractual issues people are having on other projects. (He discusses this; I didn't make it  up.) I also suspect this may also be the last Jackman lock-in he can pull off for a good while so this really is aspirational. For all the effort in reticketing etc, it basically doesn't cost him anything, and it gets his shows in the paper again, which is never a bad thing. 

It does not work that way. First, public authorities have to declare it safe and on what terms. Then, producers have to decide if the terms make a show viable. Only then the union can have this dialogue with its members. No one knows when any of these things will happen. No one.