I adore GREY GARDENS. I also left the theatre incredibly moved when I first saw the show Off-Broadway, and even moreso after I saw the revitalized production on Broadway. I also left SPRING AWAKENING completely blown away after seeing it Off-Broadway, and on Broadway. I think that they are both genre-changing, beautiful musicals in their own right. If they weren't premiering on Broadway in the same season, nobody would be comparing them, which would make sense because there is little use comparing two drastically different pieces of musical theatre.
Unfortunately, the way it works is that four musicals get lumped into one category and one needs to be selected by the Tony voters for the top prize. While I found GREY GARDENS to be drastically improved from its Off-Broadway incarnation, I couldn't help but leave the Broadway production noting some clear cut flaws that continued to stand in the way of the musical making a complete working whole. The recasting of Little Edie in Act I was a very smart move, and I feel that Erin Davie's characterization and physical similarities to Ebersole helped in making the transition from Act I Little Edie to Act II Little Edie more believable than it was with Sara Gettlfinger. But still, the difference wasn't enough.
I understand that Act I takes place in 1943 and Act II takes place in 1971, and in making the documentary into a musical that would work as a whole, the audience needs to be able to somehow believably jump from Act I to Act II seeing the changes in this one person. Aside from Erin Davie's physical appearance and slight accent, very little about the characterization in Act I makes it believable that the comedy routine that Ebersole opens Act II with is being performed by the same person that the audience just committed to in Act I. It just doesn't work. Pretty quickly into Act II the audience adjusts because they are having such fun with Christine and Mary Louise's performances, but it's a completely different show.
The show named "Best Musical" should be one that is written and directed with transitions that make sense and allow the audience to go from beginning to end logically. This is not the case with GREY GARDENS. Ebersole and Wilson deserve Tony Awards for their performances, but GREY GARDENS: THE MUSICAL does not deserve a top prize awarding its final product. Because it does not work as a whole complete musical.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Updated On: 5/11/07 at 06:43 PM