When I was in London a few years back I arrived just after the shuttering of THE HARDER THEY COME, a musical adaptation of the Jimmy Cliff-led reggae film. I have never seen a reggae musical but imagine that, if an interesting and entertaining one were possible, that would have been a great candidate. I wonder if anyone saw it (or has seen any other productions of it?)
I also would love more roots/bluegrass/folk music. Genres with rich traditions of narrative music that have been under-utilized in theater.
And, frankly, I think "rock musicals" too often skimp on actual rock arrangements and are often more traditional than not. HEDWIG had an authentic sound, and SPRING AWAKENING has "Totally F**ked" and a few other moments but the majority of Sheik's score is more of a dark, alternative chamber pop. I have sometimes daydreamed of a stage adaptation of Drive-By Truckers' Southern Rock Opera, which I like to think would kick ass and take names in the theater world.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.