#26
Posted: 1/8/04 at 11:48pm
Definitely Velma in Chicago. Also The Girl in the Yellow Dress entering the club in Contact.
Great Bway Entrances! — Page 2
#27
Posted: 1/8/04 at 11:51pm
Personally, I love the entrance of "Aurura/Spiderwoman" in "Kiss of the Spiderwoman." When Molina conjures her from his memory and she is brought on stage by two men... great entrance regardless of who plays her...
#28
Posted: 1/9/04 at 12:05am
i would have to say velma kelly's entrance in chicago, norma desmond's in sunset blvd. and angel's drag entrance in rent!
#29
Posted: 1/9/04 at 12:21am
The beginning of Millie...when the curtain goes up and you just see this small town girl with a suitcase in awe of the city. I LOVE the way we first meet Millie.
Updated On: 1/9/04 at 12:21 AM
#30
Posted: 1/9/04 at 12:50am
Carla's entrance in Nine
Velma's entrance in Chicago
Velma's entrance in Chicago
"You're every gay man's wet dream!" ~ MA
If in Heaven you don't excel, you can always party down in hell...
#31
Posted: 1/9/04 at 1:03am
Mrs Robinson in The Graduate
#32
Posted: 1/9/04 at 3:19am
I enjoy Maureen's in RENT with the motorcycle.....and the opening of Hairspray with Tracy in the bed is awesome!
#33
Posted: 1/9/04 at 7:46am
Lola rising from the floor in a tendon-tearing pose in the revival of Damn Yankees.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
#34
Posted: 1/9/04 at 9:00am
Two that stick in my head are:
Sunset Blvd - "You there! Why are you so late?" Norma's decent from the stairs
Dance of the Vampires - "God has left the building" Count Von Krolock's coffin rising from the grave
Sunset Blvd - "You there! Why are you so late?" Norma's decent from the stairs
Dance of the Vampires - "God has left the building" Count Von Krolock's coffin rising from the grave
#35
Posted: 1/9/04 at 9:37am
I like the 42nd Street entrance just seeing everyone's feet as the curtain rises. I also like Amneris' entrance in Aida because she is already onstage when she enters. One of my friends was totally surprised that she was onstage the whole time and she didn't know. Those are the two best entrances I can think of.
A ripple on the edge can be a tidal wave; no matter what the size.
Anything can be, depending how you see when you're looking at the world with brand new eyes.
---Prodigal
#36
Posted: 1/9/04 at 9:54am
Michael Damian descending from the heavens in JOSEPH
#37
Posted: 1/9/04 at 10:05am
I thought that Caldwell B. Cladwell has a good "star" entrance with a brief pause for audience approval. The chair spin thing.
Maybe that's just the way Shaugnessy was playing it. I didn't get to see the full original cast.
Maybe that's just the way Shaugnessy was playing it. I didn't get to see the full original cast.
Hamlet's father.
#39
Posted: 1/9/04 at 10:39am
There were many great entrances in Rocky Horror.
"I'm learning to dig deep down inside and find the truth within myself and put that out. I think what we identify with in popular music more than anything else is when someone just shares a truth that we can relate to. That's what I'm searching for in my music." - Ron Bohmer
"I broke the boundaries. It wasn't cool to be in plays- especially if you were in sports & I was in both." - Ashton Kutcher
"I broke the boundaries. It wasn't cool to be in plays- especially if you were in sports & I was in both." - Ashton Kutcher
#40
Posted: 1/9/04 at 12:38pm
Tom Hewitt in RHS
There's a light in the darkness of everybody's life.
#41
Posted: 1/9/04 at 1:02pm
Same for Terrance Mann. Great entrance.
"I'm learning to dig deep down inside and find the truth within myself and put that out. I think what we identify with in popular music more than anything else is when someone just shares a truth that we can relate to. That's what I'm searching for in my music." - Ron Bohmer
"I broke the boundaries. It wasn't cool to be in plays- especially if you were in sports & I was in both." - Ashton Kutcher
"I broke the boundaries. It wasn't cool to be in plays- especially if you were in sports & I was in both." - Ashton Kutcher
#42
Posted: 1/9/04 at 1:08pm
My fav Broadway entrance is probably the Hirschfeld--such a nice lobby with that lovely staircase... =)
Also, I'm sure that there are some chorus boys who have (I better stop here).
Ok Ok--seriously now--my fav is prob Velma in Chicago.
Also, I'm sure that there are some chorus boys who have (I better stop here).
Ok Ok--seriously now--my fav is prob Velma in Chicago.
Updated On: 1/9/04 at 01:08 PM
#43
Posted: 1/9/04 at 4:54pm
Velma's entrance in the original production of Chicago, where Chita (and later Lenore Nemiez) just stood motionless and stared down the audience during the "All That Jazz" vamp. Then, when everyone was sufficiently intimidated, she sang the first chorus remaining still and just staring into the crowd.
#44
Posted: 1/9/04 at 5:02pm
John Cullum's entrance in "On the Twentieth Century". where he enters the moving train through the outside window by flinging himself against it and crawling hand over hand.
#46
Posted: 1/9/04 at 5:09pm
Millie's entrance in Thoroughly Modern Millie, when she turns around I got shivers so bad. Same happened for the opening of Witches of Eastwick, which started identically with a girl turning around and singing before the stage bursts into life.
#47
Posted: 1/9/04 at 5:33pm
Yes!! Maureen on a motorcycle is definately #1! Like, the audience suddenly gets blinded then u see Maureen stepping from the back of thes tage and you hear "Joanne which way to the stage?" and the rest of the cast pipes in, "SHOW!"- it's definately memorable.
I have my books and my poetry to protect me...
#48
Posted: 1/9/04 at 8:10pm
I LOVE Carla's entrance in Nine... Ill try to think of more though.
#49
Posted: 1/9/04 at 8:16pm
I remember Eartha Kitt's entrance in Timbuktu! After a huge procession which seemed to go for days she arrives on stage standing on the shoulder (barefoot) of a semi clad muscleman and announces "I am here!". That certainly made an impression on me.
#50
Posted: 1/9/04 at 9:55pm
I would have to say either Harvey in Hairspray, or Angel's drag entrance in Rent.
"Wherever you go... I'll be right there. When you get your own private kick in the ass, just remember: it's a present from me to you."
Rose's dying words to Louise
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