Really? I found them very flat and one note and I can't remember a single tear or laugh they got out of me. They never seemed to find moments, just steamrolled through scenes playing one thing at all times. Benanti and Gaines had nuances and humor. I really appreciated how in his last production, Laurents really seemed to focus on the book and the three leads all seemed to work together to make it feel like an ensemble show, no matter how powerful and strong Lupone was. Staunton is this production and it just seems nobody else is given a shot, ya know?
However, I may have been to distracted by seemingly everybody's atrocious American accents. Everybody seemed to a terrible Broolyn-ese or hee-haw southern. I know we Americans regularly do awful English accents on broadway, I just always seem to notice it more when I see shows in London.