This will be interesting to hear. The best part of the show is the live vocal performances so I hope they don’t lose that on the cast album. I feel like a lot of cast recordings recently have been overly sanitized/produced to make everything sound “perfect” and as a result, they lose any sense of personality.
Either way, can’t wait to have a recording of the couple of new songs from the show.
Alicia Keys posted to her IG story that the cast album comes out tonight at midnight. iTunes still says the 8th but I am going to assume that Alicia is correct.
I’ll say it once again: Tom Kitt is the jukebox musical whisperer. How he manages to reimagine beloved pop catalogs for the theatre is sublime. He does hit a rare roadblock here with “Fallin’,” but the rest of his orchestrations (which he did with frequent Keys collaborator Adam Blackstone) shine so bright that I didn’t mind.
This cast’s vocal pyrotechnics are off the charts. Maleah Joi Moon may very well be the female version of Myles Frost’s MJ two years later — the breathy yet beautiful tone that floats on air. Johnny Oleksinski once said that Brandon Victor Dixon’s voice could possibly melt Antarctica, and listening to “Not Even the King” I felt the same way. Shoshana Bean stops the show with “Pawn It All”… and then there’s Kecia Lewis, who owns every second she gets as the aging piano teacher. Can only imagine how powerful she is live. And I have to shout out Chris Lee (a wild Lafayette when Hamilton first opened in Chicago), who makes Knuck a model of restraint and sings a dreamy “Unthinkable” with Moon’s Ali.
As for the few new songs Keys wrote for the production? They’re all brilliant, to say the least. “The River” is my favorite of the lot, while “Kaleidoscope” sounds like a soulful response to Des’ree’s “You Gotta Be.” If the early ads hadn’t done so already, I now have the “Yeah, yeah, yeah, yeah” vamp from “The Gospel” stuck in my head.
They’ve cooked up something special, folks — and a few Tony wins next week might prove it.
I love the rap interpolations of the original Jay-Z version late in the final moments of “Empire State of Mind.”
The stray criticism in “Girl on Fire” is a clever touch that brings to mind the funny “it’s not ironic” discourse in Kitt’s Jagged Little Pill. “The whole world is hers ‘cause she got a man now?”
Besides this, I can’t say I was a big fan of the samplings of Kristoffer Diaz’s book heard here.