"And even if you can't see that, his bold opinions are probably correct as, for as brilliant a show as this was, without its current cast of Chicago actors, the majority of whom are brand new to New York, I doubt this would have made it all the way to Broadway."
What bold opinions? He merely states the obvious: theater is convergence. One could say the same about any play that we now consider a classic; for a script to get recognized, it takes the proper director, the proper cast. Have you seen the Cat on a Hot Tin Roof revival? Somehow I think that production would have not had the same success as the original; people might not have thought of it as Pulitzer-worthy. But the text still is (and that's what the Pulitzer is awarded for), as is the text of August: Osage County. Morton and her fellow cast mates are not compensating for a deficient text; they are merely allowing it to shine and live on stage as the playwright intended. Of course actors and directors who aren't as smart or skilled who take this on in the future can fail to do so. Such is the case with any great play. To make a case
against August alone for something that would be true for any play seems awfully ignorant.
Updated On: 4/27/08 at 11:44 AM