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How does New York Times assign critics

How does New York Times assign critics

BETTY22
#1How does New York Times assign critics
Posted: 4/27/23 at 7:47am

I loved seeing Elizabeth's name on the review of 'New York, New York.' 

This show with Kander and Ebb, Lin Manuel Miranda and Stroman is one of the biggest of the seasons and I think it's wonderful that it was assigned to Elizabeth.

Sixty-eight percent of Broadway's audiences is female

Maybe it's time to make Vincentelli and Green to be co-chief theater critics for The New York Times

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raddersons
#2How does New York Times assign critics
Posted: 4/27/23 at 7:58am

I often disagree with Elizabeth but I appreciate her analysis.

JasonC3
#3How does New York Times assign critics
Posted: 4/27/23 at 8:42am

I know this question has been explored in previous threads, but I had no luck finding them.  Perhaps someone with better BroadwayWorld search skills can do so.

I vaguely recall people saying that in general, the lead critic gets to choose what to review.  After that, there were a variety of caveats related to who reviewed an out-of-town, off-Broadway, or London production that transferred to Broadway; who had written profiles related to the production; and other factors that came into play.

Updated On: 4/27/23 at 08:42 AM

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fashionguru_23
#4How does New York Times assign critics
Posted: 4/27/23 at 8:47am

Vincentelli's reviews in the NY Post were always a good read. Like raddersons said, I too disagreed with her sometimes, but I never walked away angry the way I did with other critics I disagreed with. 

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AC126748
#5How does New York Times assign critics
Posted: 4/27/23 at 8:47am

Editors make assignments, not journalists. Green, however, in his role as chief theater critic, does have greater leverage to indicate his preferences. At a time like the end of the Broadway season, where there are multiple shows opening in the span of a week, it's nearly impossible for one critic to cover every single opening in a way that would align with the editing and publishing schedule for a daily newspaper the size of the Times.


"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe." -John Guare, Landscape of the Body
Updated On: 4/27/23 at 08:47 AM

BETTY22
#6How does New York Times assign critics
Posted: 4/27/23 at 11:16am

raddersons said: "I often disagree with Elizabeth but I appreciate her analysis."

You just said in a few works what I was trying to say. 

Like you, I don't always agree but when she raves I can always see the quality and the craft. 

Plus, she's a fabulous writer. Witty without been mean. 

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ErmengardeStopSniveling
#7How does New York Times assign critics
Posted: 4/27/23 at 11:38am

AC126748 said: "Editors make assignments, not journalists. Green, however, in his role as chief theater critic, does have greater leverage to indicate his preferences. At a time like the end of the Broadway season, where there are multiple shows opening in the span of a week, it's nearly impossible for one critic to cover every single opening in a way that would align with the editing and publishing schedule for a daily newspaper the size of the Times."

iirc, Green essentially chooses which shows he would like to review (with some input & collab with the editor), and then the editor assigns all the rest.

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HogansHero
#8How does New York Times assign critics
Posted: 4/27/23 at 11:52am

ErmengardeStopSniveling said: "AC126748 said: "iirc, Green essentially chooses which shows he would like to review (with some input & collab with the editor), and then the editor assigns all the rest."

That is correct, at least as to Broadway. With Brantley, there were obviously off and off-off B shows, companies, playwrights, etc. that he chose to follow and review (and champion); the latter seems less obvious with Green.


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