I'm sorry WickedFan that you didn't know the rules about this board. Never post about anything you like. You must make it clear that you hate everything. You have to realize that all the people on this board have is their chance to jump on another poster that comes along and says the wrong thing. It's not about that. It's the fact that discussing
Wicked a million times over is f**king annoying. Give
Company,
Grand Hotel, or
Cabaret a listen and you tell me who has the better score.
You might ask - what is so different from discussing these shows over and over as oppose to
Wicked? You know why? It's because they've been around a hell of a lot longer, have more developed stories/plots and a far better score. Take
Cabaret, for instance. The main backbone of the musical originated from Christopher Isherwood's experiences in Berlin during the later 1920's into the 1930's. (I highly suggest getting yourself a copy of
The Berlin Stories if you haven't already). Those stories morphed into John van Druten's play,
I Am A Camera and then, with the talented team of Kander & Ebb became what we now know as
Cabaret. Some of the elements changed, some still remain in the production to this day.
The problem is with
Wicked is that while it's a fairly decent novel (yes, I have read it), the overall product is just mediorce. There's nothing brilliant about it. Call me a cynic, but I much prefer musicals with an actual purpose, meaning, or idea behind them.
You like it, fine. Go ahead and enjoy it. Me? I'd much rather listen to
Sweeney Todd.
"I am and always will be the optimist. The hoper of far-flung hopes and dreamer of improbable dreams." - Doctor Who
"Yes, the brutalities of progress are called revolutions. When they are over, men recognize that the human race has been harshly treated but it has moved forward." - Les Miserables