I think it's safe to assume that, outside of any category where a musical has a specific advantage (CINDERELLA for Costumes or Orchestration, perhaps; PIPPIN for Featured Actress) MATILDA is a likely favorite for most Musical Awards this year. Best Musical, Score, Book, Director, Actress, Actor (Lead or Featured, wherever Carvel ends up), and Lights/Sound/Set all seem likely to me. Costumes could go to CINDERELLA, so to me that'll be an early harbinger of a MATILDA sweep if it takes that one, too.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
Updated On: 4/14/13 at 11:03 PM