uhhhh... Last 5 Years Children of Eden Lippa's Wild Party BATBOY the Notre Dame musical
And you think of all of the things you've seen, and you wish that you could live in between ,and you're back again only different than before...
After the Sky.
-Into the Woods (Jack)
For everyone who said Bare, I agree wholeheartedly.
But what about Floyd Collins?
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
I think "Honk" never went to Broadway because the creators wanted it that way. They were afraid that they'd have to change it too much and make it more of a spectacular than they intended, in order to get noticed by the Broadway audience.
Dangerous Music 1491 Miss Moffatt The Prince of Grand Street The Rhythm Club The Gorey Details (I don't think this ever had any Broadway aspirations, though)
"Romance in Hard Times" is a case of a show that didn't work twice. It was workshopped several years earlier as "America Kicks Up It's Heels". That time around, the characters in the show were white and I believe that Patti LuPone was involved with it. Though, in both versions Alix Korey stopped the show with "All Fall Down".
"A coherent existance after so many years of muddle" - Desiree' Armfelt, A Little Night Music
"Life keeps happening everyday, Say Yes" - 70, Girls, 70
"Life is what you do while you're waiting to die" - Zorba
there was a musical in Philly a couple of years ago that a good friend's cousin was working on that was slated to come to Broadway and never did. i don't remember the name of it but i distinctly remember it being a girl's name of some sort. i wanna say something like "Saving Emily" or "Regarding Rebecca" or somesuch?
Martin Guerre - the London 1996 reworked version not the scaled and toned down depressing and boring version that toured the US in 1999 (birthed from the Leeds version - also too small and boring). When I saw this show in London in January 1997 it was fantastic - fun, funny, moving, entertaining, emotional, epic, etc.
I know B&S weren't happy and kept working at it thus resulting in the Leeds and US versions but they took the fun out of it. The original step dancing was so much fun to watch and exhilarating, the old bitties were hilarious, Benoit was comic relief and human interest, Bertrande was youthful and naive, Martin Guerre was bitter and rebellious, etc.
I only wish that the US has been able to see what was a fabulous and fun show.
Oh yeah, someone mentioned Bricusse&Newley's "The good old bad old Days", I love that score a lot.
Strouse's shows that never made it to Broadway (yet): Marty, You never know, An American Tragedy, The Night they raided Minsky's, Bojangles, North and South, A New Road to Freedom, Real Men
Coleman shows that never made it to Broadway (yet): Grace (a beautiful score), The Great Ostrovsky, Pamela's first Musical, Josephine, Like Jazz, Eleanore, 13 Days to Broadway, Nothing but the Truth,
Chaplin (with a Anthony Newley score, early eighties), Say Hello to Harvey (sometimes charming score by Leslie Bricusse, early eighties as well, it must have had a book that dreaded the audience out of the theatre)
I agree with Der Glocker Von Notre Dame (Hunchback of Notre Dame). I hope it will have a Broadway bow in the near future including the ones below:
Zelda The Wiz Most Wanted
"I love acting. It is so much more real than life." Oscar Wilde "After silence, that which comes nearest to expressing the inexpressible is music." Aldous Huxley