Oh I think the Doyle production in particular demonstrated the like father, like daughter relationship that existed between Johanna and Sweeney. Little blockings where Lauren stood right in front of Michael, demonstrating how she is of his blood.
I have to give credit to other excellent Sweeney analysts who brought up some really interesting points that I've read recently that I'm going to bring up:
There's even a little bit of Johanna in Sweeney when Anthony busts in to tell him of the plan. Sweeney becomes extremely weak, cowering away, like Johanna does.
Others have also commented that there is a similarity in her relationship with Anthony and with Turbin. Anthony displays some of the controlling tendencies that Turbin does, which is also the only relationship Johanna has ever known. Again, there is some shadow blocking, as Anthony comes to the ladder over her right after the Judge has left it.
Johanna certainly is a tad mad at the end of the play, and her father went...well, certainly much madder. But there remains a strong possibility that Johanna could trod Sweeney's path.
(Back to my own thoughts) I think this production also changes some of the discussion a bit. In this production, Sweeney might have been Mrs. Lovett's #1 priority, but there is no question that she did covet money as well.
She was even a tad...vain...no, Calvin?
"If there was a Mount Rushmore for Broadway scores, "West Side Story" would be front and center. It snaps, it crackles it pops! It surges with a roar, its energy and sheer life undiminished by the years" - NYPost reviewer Elisabeth Vincentelli