I always vouch for the original concept album in this case, because of it's historical importance both to the history of the show and also the history of rock operas in general.
The recording just sounds like a legitimate classic rock album. The production is so perfect to the time, and as a music buff as well as a theatre buff I always appreciate the particular fuzzy tones on the guitars and the sharp mix of the bass and the strings and the percussion... all such an early-'70s classic rock feel to it, it's glossless and wonderful.
Also, Murray Head is definitive. Whether you prefer his kinds of Judas' is up to you, but for rock voices performing the score, Murray leaves them all in the dust.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
Updated On: 4/6/13 at 11:55 PM