#101
Posted: 2/12/07 at 12:16pm
JoAnne would make a fabulous Chaperone. Casey also directs Drowsy, so it could happen, if he felt she was right for the part too.
JV92 Sees Follies- Saturday Afternoon — Page 5
#102
Posted: 2/12/07 at 12:23pm
Worley was the best of the supporting cast, IMO. She nailed Stella and of course she stopped the show with "Who's That Woman?"
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
#103
Posted: 2/12/07 at 12:27pm
both Worley & Hines seemed so happy to be there, you could feel their enthusiasm!
#104
Posted: 2/12/07 at 12:32pm
when i stopped JoAnne at the stage door to gush about her performance, you could see this surprised look on her face. she genuinely was very pleased with this production. someone hunt her down for a show NOW!
#106
Posted: 2/12/07 at 3:20pm
If someone could release a recording of In Buddy's Eyes and Loosing My Mind alone, I'd be happy. Have I said how great Clark was yet? I think so.
#107
Posted: 2/12/07 at 3:56pm
i want more FOLLIES magic
Me too, sport. Me too.
Me too, sport. Me too.
"How do you like THAT 'misanthropic panache,' Mr. Goldstone?" - PalJoey
#109
Posted: 2/12/07 at 4:22pm
You're gonna love tomorrow.
"How do you like THAT 'misanthropic panache,' Mr. Goldstone?" - PalJoey
#110
Posted: 2/12/07 at 4:39pm
I'm giving you my personal guar-an-tee.
#111
Posted: 2/12/07 at 4:39pm
"I don't think I had a gayer moment in my life than when that curtain rose up to reveal her in that white dress and Rita Hayworthy [sic] wig."
Oh come now, PJ clutching your knee had to be gayer.
Victoria owned that song like nobody else ever has. She did bring a quality to it that I don't think anyone has ever captured before.
The entire hsow was magificent but there were some real stand outs. Joanne Woreley, Mimi Hines, the new elvel of depth that Donna Murphy gave to Phyllis. My only disappointment was Christine Baranski's "I'm Still Here." I have always loved her but, this time, I couldn't quite figure out what she was going for. The song was overly affective, had a nasty edge to it and generally just a bit over the top. No need to try so hard with that song if you let the lyrics speak for themselves.
Oh come now, PJ clutching your knee had to be gayer.
Victoria owned that song like nobody else ever has. She did bring a quality to it that I don't think anyone has ever captured before.
The entire hsow was magificent but there were some real stand outs. Joanne Woreley, Mimi Hines, the new elvel of depth that Donna Murphy gave to Phyllis. My only disappointment was Christine Baranski's "I'm Still Here." I have always loved her but, this time, I couldn't quite figure out what she was going for. The song was overly affective, had a nasty edge to it and generally just a bit over the top. No need to try so hard with that song if you let the lyrics speak for themselves.
http://www.danperezgallery.com
#112
Posted: 2/12/07 at 5:01pm
I wasn't clutching Kringas's knee. "PalJoey'sPal" is my bf.
#113
Posted: 2/12/07 at 5:06pm
Yeah, I had no one clutching me. Just the crazy mf behind me who tried to steal my scarf.
"How do you like THAT 'misanthropic panache,' Mr. Goldstone?" - PalJoey
#114
Posted: 2/12/07 at 5:18pm
Sorry, I misread. It was long trip from NY back to Boston. I'm tired and not comprehending. Never the less, I'll bet Kringas has had at least one or two gayer moments than that.
http://www.danperezgallery.com
#115
Posted: 2/12/07 at 5:19pm
Well, I never!
"How do you like THAT 'misanthropic panache,' Mr. Goldstone?" - PalJoey
#116
Posted: 2/12/07 at 5:26pm
Oh, yes you have.
Twice on Saturday, as a matter of fact.
Twice on Saturday, as a matter of fact.
"I'm so looking forward to a time when all the Reagan Democrats are dead."
#117
Posted: 2/12/07 at 5:30pm
Today was perfectly perfect, you say?
Well, don't go away!
'Cause if you think you liked today--
Well, don't go away!
'Cause if you think you liked today--
Updated On: 2/12/07 at 05:30 PM
#118
Posted: 2/12/07 at 7:32pm
Okay, so this mangled lyric popped into my head and now, not only can I NOT get it out of my head, it makes me laugh every time I think of it, which made me look like a lunatic on the crosstown bus:
I've been through Reno.
I've been through Beverly Sills.
And I'm here.
Anyone else?
I've been through Reno.
I've been through Beverly Sills.
And I'm here.
Anyone else?
#119
Posted: 2/12/07 at 10:55pm
As Sally says, "It IS tomorrow."
What if you were a 15-year-old boy, and it was 1971, and you were obsessed by this musical, about sophisticated 40- and 50-somethings who had made messes of their lives, with music and lyrics that were pastiches of a time and a place well before your own...what if you loved it so much you memorized every word and every note? What if it became of who you are?
And what if 35 years later you wanted to go back and see it--but you were only allowed to pick one song, one moment, one magic number from that amazing original cast and the never-to be-seen-again production...one magic Hal Prince/Michael Bennett/Florence Klotz/Boris Aronson moment?
Which number would it be?
Who's That Woman?
What if you were a 15-year-old boy, and it was 1971, and you were obsessed by this musical, about sophisticated 40- and 50-somethings who had made messes of their lives, with music and lyrics that were pastiches of a time and a place well before your own...what if you loved it so much you memorized every word and every note? What if it became of who you are?
And what if 35 years later you wanted to go back and see it--but you were only allowed to pick one song, one moment, one magic number from that amazing original cast and the never-to be-seen-again production...one magic Hal Prince/Michael Bennett/Florence Klotz/Boris Aronson moment?
Which number would it be?
Who's That Woman?
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