Posted: 7/10/24 at 5:14pm
James Graham's DEAR ENGLAND coming to Broadway Spring 2024, dir. Rupert Goold? (casting notice) — Page 2
Posted: 7/11/24 at 9:00am
I just remembered how this team used to wear Pride armbands during games to show support as allies. Then came the World Cup 2022, hosted in Qatar. The armbands went into the trash can.
The play acknowledges this in a brief argument between the captain and managers. The organizers tell them that if they keep the armbands on, they won't be allowed to play. They choose, for better or worse, to play.
Posted: 7/15/24 at 11:12am
It would have been one heck of an ending if they won especially right after the change in government.
Posted: 7/16/24 at 9:10am
I know the arc of this team and its specific narrative obviously have REAL significance in the UK, but don't know if it will have the same pull here given again, that the universal themes seem old hat, and which, for me, diminished the entertaining and propulsive game approximation (and other creative movement) on stage. Then again, the reedy-ness of "Stereophonic" and "Appropriate" have been perceived by many as dramatic brilliance this season, so I might again be the outlier as to this play's appeal. Perhaps, rather than a deterrent, if it's simple enough, and this is play is, they will come-- no harm in that if it gets butts in seats in a NY theater. And though thin, I will say the play never insulted or pissed me off as the aforesaid "Stereophonic" or "Appropriate" did.
I was very happy to see Joseph Fiennes on stage (even if through the "wall" of a capture) in a nicely modulated, semi-charismatic performance, but, disappointingly, nothing extraordinary and nothing that made me experience Southgate a galvanizing, if soft-spoken, force. Nice performances all the way around, but not enough to overcome the above.
Posted: 7/16/24 at 11:50am
Gareth Southgate is resigning, James Graham can write a whole new play, Dear England 2
Posted: 10/30/24 at 11:23am
Whatever happened with this and that casting notice?
Posted: 10/31/24 at 9:14am
Investors got cold feet?
Posted: 10/31/24 at 10:46am
The National Theatre, as well as the independent producers that moved it to the West End, decided that it was too risky to move it to Broadway. Joseph Fiennes is an amazing actor and is phenomenal in the show, but he will not sell tickets on Broadway. The fairly large cast would need to transfer intact in order for the show to work and that was also a massive financial risk. Even though the show did pick up a couple of Olivier awards this past spring, it wouldn't be enough to be a selling point to New York audiences. They have instead very smartly chosen to do an encore presentation of the show at The National in 2025. The press release for the remount notes that the playwright will be making changes to the script.
Posted: 10/31/24 at 11:27am
two ladies tickets said: "The NationalTheatre, as well as the independent producers that moved it to the West End, decided that it was too risky to move it to Broadway. Joseph Fiennes is an amazing actor and is phenomenal in the show, but he will not sell tickets on Broadway. The fairly large cast would need to transfer intact in order for the show to work and that was also a massive financial risk. Even though the show did pick up a couple of Olivier awards this past spring, it wouldn't be enough to be a selling point to New York audiences. They have instead very smartly chosen to do an encore presentation of the show at The National in 2025. The press release for the remount notes that the playwright will be making changes to the script."
Surprised we never got an official announcement, since this is a lot of detail and casting notices for this stuff doesn't just go out on a whim. Oh well.
Posted: 10/31/24 at 9:22pm
I am looking forward to.seeing it in London in the spring.
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