I have to say the 2 girls did a great job, when they 'In His Eyes' it was stunning. However Pauls singing was off key the whole of Act 1, he was using a click track in act 2, the set was worse than am dram, the lighting was so bad that spotlights would come on in the wrong place, the sound was bad and the band sounded so empty. It was one of the worst nights ive had in the theatre (except for Salad Days lol)
Namo i love u but we get it already....you don't like Madonna
Saw J & H twice on Broadway and loved it. The score is amazing. I did not see the last tour and what I heard about it was all dreadful so I'm glad I didn't so my memories of the Broadway show with Rob Evan and Linda Eder will not be spoiled. I can't honestly imagine Pellow in the role and the show stands or falls on the calibre of its lead. (eg Bob Cuccioli, Rob Evan or Anthony Warlow - awesome; David Hasselhof or Paul Nicholas - disaster.)
THEATRE 2020: CURTAINS**** LET'S HEAR IT FOR THE GIRLS***** WICKED***** KEITH RAMSAY TAKING NOTES WITH EDWARD SECKERSON***** KAYLEIGH MCKNIGHT CONCERT***** RAGS***** ON MCQUILLAN'S HILL** DEAR EVAN HANSEN***** THE JURY***
How ironic that they are going to start this tour from the Churchill in Bromley. The Churchill was the home of another musical based on the story. It was called simply 'Jekyll' and ran there as an out of town try out in 1996 with dates set for the Theatre Royal Haymarket a month later. It stared Dave Willets and he will tell you that it was such a disaster that he reckons it effected the amount of work offers he got for some time after. It wasn't even reviewed by the press, the production company pulled all publicity for the show and just let it run its very poorly attended 2 week run. Ive always thought that this may also have effected the prospects of a full London production Wildhornes piece, or any other on the subject!
Eh, like Marti Pellow, so might go if it stops at So'ton or Bournemouth, not a HUGE fan of the show, typical Wildhorn show in my opinion, The good songs are just incredible and BEAUTIFUL (EG This is The Moment is one of my all time favourite musical ballads!) but the other songs are just dull, repetitive, and at times, painful!
Well I for one am pretty pleased about this. I have seen an am-dram production before and think some of the songs are excellent, and so would love to see a pro production.
As for Marti Pellow - Ugh, really? I really didn't like him in Witches of Eastwick.
I actually think Marti Pellow is good, he was a brilliant Billy Flynn and he was one of the few good things about the dullness that was Witches of Eastwick, the other being the three femail leads (especially the ravishing Poppy Tierney).
Never seen Jekyll so cant comment on the show, but ill def go and see it
I remember they really wanted to bring Witches to the West End since it sold very well on tour but it never happened. I guess it could possibly come into town but it has to get good buzz on tour first.
He certainly wasn't some weedy little wimp. He may not have been the butchest DVH but I think he sold the part brilliantly. I do long for a return to the Drury Lane production- fab! Then again it was even tighter when it transfered to the Prince Of Wales. As a touring show I think you should be grateful to have such a stelar production out there for so long. You lot should have seen the s*** that the likes of Kenwright and Malcolm Knight sent out in the 70s and 80s.
I thought the three ladies and Marti were brilliant in Witches, and agree he totally sold that part. The set was great too, i just found the score and book to be a bit 'meh' . It just never took off
I thought the three witches were brilliant in the tour and I thought Pellow was the best Darryl I've ever seen - certainly better than Ian Mcshane in the original West End production, who I thought had zero stage presence. (But I also saw Pellow in the Chess concert as the arbiter and he was seriously awful.)
Re: Witches of Eastwick - it's one of my fav shows and I think the score is absolutely stunning. My only gripe is that they cut the best song in the score during the West End run (Loose Ends - a genuine masterwork in musical theatre songwriting).
THEATRE 2020: CURTAINS**** LET'S HEAR IT FOR THE GIRLS***** WICKED***** KEITH RAMSAY TAKING NOTES WITH EDWARD SECKERSON***** KAYLEIGH MCKNIGHT CONCERT***** RAGS***** ON MCQUILLAN'S HILL** DEAR EVAN HANSEN***** THE JURY***