Which is why I griped publicly at one point that a national tour seemed kind of pointless. Count the number of upcoming productions in the U.S. alone (never mind the screening tour of the '73 film, where fans of the classic version can totally ignore that any remake or new production exists, sing along to the movie, show up in costume to win a prize, and meet and greet with members of the original cast), and tell me you don't question the logic of Webber convincing anyone to pay Broadway prices for a national tour when it's constantly being produced all over the U.S. where one can see their friends, relatives, children in it for pennies on the dollar, and -- in my opinion -- probably get something better than what will be on display. I get the idea of striking while the iron is hot, but unless it bears more resemblance to the concert than casting two black guys as Jesus and Judas (as the Chicago transfer has done), then I dunno what to tell ya.
Frankly, the only thing that might convince the general public (or at least the amount of the general public that doesn't buy tickets to everything JCS) to buy is to cast the members of the concert cast that they can actually afford to bring in. It's not like the Regent's Park production was super different from the concert anyway; scaffolding, gratuitous glitter, costumes straight out of the generic postmodern pop star department, singers not particularly suited to the parts...
Formerly gvendo2005
Broadway Legend
joined: 5/1/05
Blocked: After Eight, suestorm, david_fick, emlodik, lovebwy, Dave28282, joevitus, BorisTomashevsky, Seb28
Updated On: 4/6/18 at 08:44 AM