I was there Tuesday night. Judy at first seemed a bit understandably tentative, but settled in to the proceedings nicely. Her Lovett is interesting, not as sly, menacing and sensual as LuPone can be, but not totally comedic and manic, in the Lansbury style. There was a middle ground. Her singing is very operatic, which was new to me, having seen the show 3 times already. Great comic timing too. She brings to the role a unique presence, kinda hard to describe. I went specifically to see her in the role, and was pleased.
She is a great talent, don't get me wrong, but doesn't galvanize like Patti, so this left my eye and mind at times to enjoy some other aspects of the show, some really cool subtle directing moves that I missed before, and really enjoying Manny. Also, the piece itself was particularly engrossing last night, and I was moved by the story more than in past visits.
It remains such a great piece of theater, robbed...ROBBED I say of the Tony for best Revival! Great job Miss Kaye, can't wait to see you in L.A. in Souvineer
PS...very classy that they have a "new" Playbill printed up with Judy in it, not just a paper stuffed inside with pic and bio.
Updated On: 6/21/06 at 07:19 AM