I also tend to enjoy Butler in much of her work.
For me, her two best performances have both been outside of New York. She was brilliant as Deedee in the stage musicalization of THE OPPOSITE OF SEX in San Francisco a few years ago, and her Lizzie in the LA Reprise! production of BABY was completely charming.
While I concede that she came up short as Audrey in the LITTLE SHOP... revival, I agree with Wanna Be A Foster in putting most of the blame there on Jerry Zaks, who misconceived just about everything in that entire production.
As she showed in XANADU most recently, Butler has a terrific ability to bring her own unique persona to almost everything she does. While her voice tends to have a nasal quality that can become grating, her belt sure packs one hell of a punch.
I'm looking forward to seeing what she does with the role of Brenda in CATCH ME IF YOU CAN, though I hope she's able to break out of the staple of quirky characters she seems to play on a consistent basis.
If only we could get her enunciation to be a bit more precise...
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Updated On: 8/8/09 at 02:14 AM