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#3

LIFE OF PI Reviews

Maybe just my own bubble, but I feel like this has NO buzz for a play that came from London with high pedigree, and also played a high-profile US nonprofit. Perhaps that changes if it gets rave reviews & lots of nominations?

#8

LIFE OF PI Reviews

Theatrely praises the puppetry and design, but

"But without that overwhelming sense of majesty—call it god, call it nature—and with a pesky intermission meddling with the 2-hour production’s momentum, Life of Pi falls a bit short of the endless possibility suggested by its lead’s name. Bring the kids, bring the edibles, and prepare to have your ship gently rocked."

https://www.theatrely.com/post/life-of-pi-awash-in-possibilities-review

#17

LIFE OF PI Reviews

Most of these reviews confirm how I felt about the show. It's visually spectacular and is just a remarkable watch. The script itself is only okay.

As per Tonys, I think this is the shoo-in for Best Lighting Design and Best Scenic Design of a Play and though I think it'll get nominated for Best Play, that will likely fall to Leopoldstadt. But this production truly deserves all of the design awards that it's destined to win this spring. Just a beauty.

#18

LIFE OF PI Reviews

ElephantLoveMedley said: "Most of these reviews confirm how I felt about the show. It's visually spectacular and is just a remarkable watch. The script itself is only okay.

As per Tonys, I think this is the shoo-in for Best Lighting Design and Best Scenic Design of a Play and though I think it'll get nominated for Best Play, that will likely fall toLeopoldstadt. But this production truly deserves all of the design awards that it's destined to win this spring. Just a beauty.
"

i agree with your assessment but i will be rooting against it, for no other reason than it is being performed in such a way that cheats half the orchestra out of what they paid to see it.

#19

LIFE OF PI Reviews

I haven't seen it yet, but if the press was seated in their customary choice seats would they have missed out on some of the effects? Or were they possibly seated elsewhere because of this issue?



P.S: Nevermind. I just read a review which answered the question. The press was seated front mezzanine.

Updated On: 3/30/23 at 10:58 PM

#20

LIFE OF PI Reviews

My thoughts too. For a show that keeps getting praised for its amazing projections, why not put this in something like Circle in the Square where more of the audience can see the floor? I know theater size, blah, blah, but is the stage super raked so the audience can see?

#21

LIFE OF PI Reviews

RippedMan said: "... but is the stage super raked so the audience can see?"

I read somewhere that Equity wouldn't allow the severe rake for this production that was used in London.

#22

LIFE OF PI Reviews

ElephantLoveMedley said: "As per Tonys, I think this is the shoo-in for Best Lighting Design and Best Scenic Design of a Play and though I think it'll get nominated for Best Play, that will likely fall toLeopoldstadt. But this production truly deserves all of the design awards that it's destined to win this spring. Just a beauty."

Could be a repeat of 2011: Clybourne Park wins Best Play, the design awards go to Peter and the Starcatcher. Having not seen Life of Pi, I can't predict who wins Best Director of a Play. Leopoldstadt's direction is competent but not as good as the writing...Life of Pi or Salesman?

#23

LIFE OF PI Reviews

DTLI Consensus: Stunning projections and puppetry — plus a star-making lead performance by Hiran Abeysekera — make Life of Pi a splash hit despite some faulty writing.

10 positive (including the NYT), 4 mixed.

https://didtheylikeit.com/shows/life-of-pi/


“I am furious, but I am sailing.”
#24

LIFE OF PI Reviews

pethian said: "RippedMan said: "... but is the stage super raked so the audience can see?"

I read somewhere that Equity wouldn't allow the severe rake for this production that was used in London.


"

Interesting. Seems tough to charge premium tickets if you aren't getting the whole experience.

#25

LIFE OF PI Reviews

If the stage is raked, I didnt notice it but it doesnt matter: significant elements/moments derive from either projections onto the stage floor OR (magical!) tricks in the stage floor. There is no way the front (and id guess even mid) orchestra catch any of this.

That they put the critics in the front mezz (a first?) confirms the point.

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