Having thought of her as a talented but frivolous woman who wore meat dresses and had young fans who acted rabidly and cultivated some sort of feud with Madonna, I dismissed her from the beginning. From time to time I would listen to a song and be reminded that she was talented, then go back to dismissing her again. The duets with Tony Bennett were good, but that also seemed a prank to me: I mean, really, anyone would sound good duetting with Tony Bennett.
Last night she stepped out there and took a chance: If she had sung that medley badly, she would have not only looked like a fool. She would also have diminished her outrageousness. Only by taking that material seriously and doing it flawlessly could she win.
And she did.
Her high notes were pretty, shockingly pretty. (I don't care if they lowered the key from Julie's. It's not the point.) But more impressively, she sang with dynamics: her softs, her louds, her highs, her lows--they were all planned yet effortlessly executed. And they were surprising and mesmerizing.
Especially in the light of the apparent failure of Neil PH in his hosting duties--after an otherwise promising opening number--it was delightful to have something so surprisingly talented and well performed happen on that interminable show.
I will be excited to watch her in whatever musical they put her in, whether it be Funny Girl, Dolly, Mame--or even Flahooley, damnit.
She was that good.
Updated On: 2/23/15 at 04:39 PM