Margo is a he. Just for future reference.
margo is not a he or a she margo is the god of broadway hehehehe
Broadway Legend Joined: 8/25/06
lmao.
like i said, still kind of new.
only made the assumption b/c the avatar seemed quite specific.
Well, that's because the avatar is of Bette Davis, the star who played Margo Channing in "All About Eve."
As I said in a previous thread, while I don't find Bundy to be "cold" in the least, she is more brazen than she is bubbly (which is probably an intentional choice to separate herself from the Witherspoon incarnation in the film.)
This character needs to be larger than life, and I don't think Laura has quite hit that yet. If she made things a bit bigger and loosened up a bit she'd wind up with a more winning portrayal (though she's in a good place as it is.)
Broadway Legend Joined: 8/25/06
oh, please ... THAT much i knew! :P
she could do with letting her hair down for the role and just having fun with it like a lot of the cast do, but yes i think she is very good and well on her way.
Well, ya seemed a little confused.
Margo is a human being just like anyone else on this board. Give me a break. If reviews are out already, and he's not around to post them, are we supposed to sit around and act like they're not available? No. Don't downgrade yourselves. Every human being on this board is an equal.
Broadway Legend Joined: 8/25/06
theaterkid: whatever.
hahahahahahaha! that was a double entendre -- get it!
wannabeafoster: i expressed my opinion, and thought i was careful to calibrate it. i respect margo -- cut my nutz off, why dont you?:P
Careful Foster, or Margo's gonna come down and smite you with his lightning bolt.
He'd do it no matter what.
whatever2...I don't get it.
Shut up, I'm tired.
Broadway Legend Joined: 8/25/06
ive heard that about you ...
Amen
Variety review-
Omigod, Broadway totally has a new princess. In much the same way Tracy Turnblad sashayed into town in "Hairspray" or the budding "Wicked" witches touched down, Elle Woods beams in from planet Malibu via Harvard Law in "Legally Blonde," bringing girl-empowerment aplenty. While the hit 2001 MGM film was a cute premise in search of a plot, kept afloat by Reese Witherspoon's dazzling charisma, the musical trades up on the original model in both character development and infectious comedy. It may not be bulging with subtext or boast a score for the ages, but this pinksapoppin funhouse delivers exactly what it promises.
Legally Blonde
A positive review from Variety:
Omigod, Broadway totally has a new princess. In much the same way Tracy Turnblad sashayed into town in "Hairspray" or the budding "Wicked" witches touched down, Elle Woods beams in from planet Malibu via Harvard Law in "Legally Blonde," bringing girl-empowerment aplenty. While the hit 2001 MGM film was a cute premise in search of a plot, kept afloat by Reese Witherspoon's dazzling charisma, the musical trades up on the original model in both character development and infectious comedy. It may not be bulging with subtext or boast a score for the ages, but this pinksapoppin funhouse delivers exactly what it promises.
Still, this is not exactly "Cabaret" and without the right guiding hand the show might have evaporated in its own vaporousness. Choreographer-turned-director Jerry Mitchell has done a creditable job of driving this well-oiled machine. Its zippiness in the opening stretch, in particular, is almost dizzying
No musical could entirely hope to sustain that breakneck pace, but, even when its balloon deflates a little, "Legally Blonde" keeps its motor purring. Mitchell directs the show to within an inch of its life, keeping every last member of the large ensemble busy. But while his dance background might be expected to make movement a priority, the director's work with the writer and actors to etch their characters and flesh out their respective journeys keeps the show buoyant.
Of course the most crucial cast element is Elle, and Bundy could hardly be more winning. Decked out in signature pink, she adheres to the mold created by Witherspoon yet makes the role her own with a force-of-nature confidence that's never brash, offsetting Elle's can-do entitlement with touching vulnerability and a genuine warmth that cements her connection to even the skeptics in her radiant orbit. It's perhaps significant that Bundy's first Broadway gig was as the original Amber in "Hairspray," the show "Legally Blonde" most wants to emulate.
http://www.variety.com/review/VE1117933460.html?categoryid=33&cs=1
That was a nice review from Variety. I agree with what they said about Kritzer.
Great review from variety yeeah
I am guessing that most will not come out till later.
Positive: Theatermania.com
http://www.theatermania.com/content/news.cfm/story/10586
"Omigod, you guys. For better or worse, Legally Blonde is a hit! "
I'd say mixed-to-positive from theatermania.com, some highlights:
Following in the years-old hit footsteps of Hairspray and Wicked, now comes Legally Blonde, a boisterous adaptation of the smart and saucy Reese Witherspoon chick-flick. The show, which marks the directing debut of veteran choreographer Jerry Mitchell, is as meticulously groomed as its level-headed-despite-being-blonde protagonist Elle Woods, who is played just about perfectly by Laura Bell Bundy (who starred in both Hairspray and Wicked).
Indeed, it's frequently difficult to enhance characterizations when dialogue is being stripped away in favor of giddy song and dance. And there's certainly plenty of that amid David Rockwell's multitudinous California-bright and Harvard-somber sets and Gregg Barnes' costumes, which tend toward many shades of pink when the pink-struck Elle is around.
Still, Legally Blonde may be a case of too many songs and dances. Mitchell's obvious aim, which is to keep things moving quickly past the ticket buyers, results in the kind of perpetual motion machine that eventually turns the musical into a blur of songs. While his dances are unfailingly exuberant (especially the skip-rope "Whipped Into Shape" routine that opens Act II), they are too Toni Basil-Michael Peters video-based to be distinguished.
http://www.theatermania.com/content/news.cfm/story/10586
I would rather a musical not know exactly what it wants to be and have greater parts than the sum than have the entire sum be Legally Blonde! Ugh! I have to severely disagre with the Variety Review and side much more closer to that of Talkin Bway and the A.P.
Although I enjoyed myself, the very positive reviews have me completely baffled. And even the negative reviews seem to be completely missing the flaws I found in the show. Although, I am glad the talkinbroadway review found Orfeh as "hootless" as I did. I'm not sure if it's necessarily her, but that character, which was certainly a highlight in the movie, seems so utterly confused and miscast in the show.
Anyway, I enjoyed myself, but have enjoyed myself more at many things that have gotten much worse reviews. I don't think people can get past the fast paced direction and actually see how uneven and messy the writing is.
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