Saw this tonight (7:33 first downbeat, 10:20 blackout), and it was quite good. Not an entirely full house at RCMH, noticed some empty seats around me. Tough venue to fill up.
Score is fantastic as per usual, orchestra absolutely crushed it.
Killian Donnelly was my Valjean, I liked him but ultimately preferred Ramin in the 2014 revival. Bradley Jaden was Javert, and his "Stars" got a partial O... perhaps the best-sung of the inspectors in recent memory. The amount of spit I saw from him during his final sequence makes Jonathan Groff's saliva look like child's play. There was big-time anger and urgency from him throughout the night that I felt was somewhat absent from the rest of this cast, save for Christian Mark Gibbs as a rousing Enjolras. LES MIS has always been a melodramatic piece, and the more anger, defiance, and urgency, the better, in my mind.
Lovely Cosette, meh Eponine, kids were adorable.
For a concert version, the staging and design elements were a mixed bag. The gunshot laser lights were a fantastic touch, but the lamps seemed more of a distraction. Liked the choice to have the dead individuals rise from their seated positions towards the end of "Empty Chairs at Empty Tables."
Why in the world are the deaths of the revolutionaries rushed? Aren't Gavroche and Enjolras supposed to die separately if I recall correctly? Unforgivable sin.
Kudos James Dolan as well for the excellent new sound design and mixing that his Sphere uses now too.
Three Days More to see this one, people, go but don't overpay. I don't ever see this coming back to Broadway, but I do look forward to the inevitable Encores gala presentation far in the future.
“I am furious, but I am sailing.”
Updated On: 8/6/26 at 11:20 PM