So Alex is leaving for good then.
I wonder why they changed it, originally it was just scheduled as a vacation, no? .
Alex DID take a regular, scheduled vacation. And he is now back from vacation. In addition, he himself has decided to leave the show to pursue other things [I don’t believe he has anything definite lined up, but that may be so], and he WILL BE leaving on July 21.
In the meantime – he is back from vacation energized and better than ever. It has been said that Alex has been “mailing it in” in recent weeks. If that WAS true, it no longer is. His performance is more emotionally heated than ever, and continues to be, by itself, worth the price of admission.
Lea Salonga’s performance alone is also worth the price of admission.
The cast changes that have already been effected / or are in the process of taking place / or are temporarily in place -- all of that -- seem to have invigorated everybody. It was said, back in November of last year, that this
revival “appears to be functioning in a state of mild sedation” and “lacks the fiery passion in performance”. Well, if that was true then, or even recently, it is no longer true. Last night’s performance was the best I’ve seen. The cast properly exuded energy and involvement that kept the audience themselves totally involved, not all the time with pulse rates racing, but always emotionally absorbed.
Drew no longer just ACTS the part of Javert. He IS the character. [I’m not an actor. I know this sound stupid. (and blah blah blah, it’s called acting!) -- but] Drew’s actions and expressions, at all times while onstage, put him totally within that existence. And his singing of course is especially remarkable.
And I swear, there were times (Confrontation) where I saw his mouth open and he must have been singing but I couldn't hear anything coming out of his mouth. Parts of Confrontation are in counterpoint. In particular, when Javert sings “Men like me can never change, Men like you can never change” it is hard to hear Valjean; and as Valjean sings “I am warning you Javert, I’m a stronger man by far” it purposely
oversounds Javert’s verse. I especially paid attention to Javert’s part last night and I heard it all, though not being so familiar with those words I didn’t
absorb every word of it.
Drew starts rehearsals today as Valjean. I will definitely be back at the beginning of August to see him. [Giving him one week of actual performances to make sure he’s had time to nail the part.]
By the way, Steven Trafton as Grantaire sang and played ‘Drew’s guitar’. I thought ‘Drew’s guitar’ was owned by Drew. It isn’t. It belongs to the Company.
Max von Essen gives an even stronger, more invigorating, certainly clearer performance than Aaron Lazar. I think I actually heard every word he sang.
I loved Celia's Eponine (Hail Celia!). But Megan McGinnis is without fault as well.
And very happy that Ann Harada remains. Her initial performance (in April), which was the first time she performed with everybody in full costume, was plain (sort of clueless). Now she is properly vulgar and comedic.
James Chip Leonard plays a suitably sinister Thenardier, without the cuteness that Gary Beach stuck in [and he DID carry the dead body himself]. I look forward to Chip Zien as well. [I miss James’ Bishop.]
I feel that Adam and Ali must make the best Marius / Cosette combination ever.
Brian D’Addario is still an “endearingly avid”, “galvanizing” Gavroche.
The show is better than ever, and worth seeing again.
p.s. Certainly those who saw, and reviewed, this ‘revival’ only in previews or early performances should revisit the Broadhurst Theatre.
Updated On: 6/28/07 at 03:23 PM