From:
Welcome to Broadway John Owen Jones! Is there any more reviews of Judy's performance as Fantine? Is she brilliant like Lea Salonga as the character? _______________________________________________
I saw the new guys last night:
I appreciated Alex and Drew (not so excited about Ivan Rutherford). I would love to see Alex again someday (he should be well-rested now) and I've already booked a January trip to London to see/hear Drew again. John Owen-Jones gives the strongest, most interpretive portrayal of Jean Valjean. He looks like JVJ, sings and acts beautifully. His phrasing and mannerisms are right-on meaningful.
Judy Kuhn is better than any Fantine I've seen, except for Lea. Lea is much more expressive and involved. Although Judy sounds wonderful, Lea's voice is fuller
(Is that a word?) and she has so much more stage presence. Judy seemed tentative. She also needs to practice her spitting (Lea would spit globs).
Becca Ayers was on as Madame T (Is she on all week?). She showed every hilarious expression and got audience reaction in all the right places. I wish I could see her again before Jenny Galloway returns.
Leah Horowitz played a perfectly suitable, traditionally dressed and acted Cosette. I like her voice, and she puts feeling into her singing. I liked Ali's petiteness, sweetness and prettiness, though. By the way, Cosette is back in black. The white dress was just for Ali.
Robert Hunt must be the best Javert ever. (I guess there might be other, maybe more informed opinions). His voice is so full and strong. Whichever JVJ actor he has played against, all of the scenes with the two characters together seem just perfect.
Megan, Gary, Adam, Max von Essen and Chip Leonard all continue to give wonderful, enjoyable performances. And both Brian and Zack are fine Gavroches.
I feel, however, weakness in the ensemble. With the specific exception of Michael Minarik as Grantaire (and Ben Crawford in his parts), there is nothing filling the stage. There used to be much more feeling ( as well as stronger voices) coming from the students, or the women, or the citizens, or the guests.
I especially miss Nehal Joshi (Lesgles and other parts), who added so much, whether as a guard, sailer, customer or citizen (not to mention his wonderful, booming officer voice at the barricade). Even the slow-motion scene of the runaway cart is now especially lacking without his somersault.
p.s. If anyone from the West End reads this, would you kindly let us know how Drew is doing over there.
Updated On: 10/25/07 at 03:09 PM