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Light in the Piazza at the Goodman

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#2

Light in the Piazza at the Goodman

If you listen to the available material of Bolger in the role she played it verrrrrry "short bus" if that makes sense. That's generally the consensus on why she was replaced, as that takes a lot of the necessary depth out of the character.


Keeping BroadwayWorld Illustrated
#4

Light in the Piazza at the Goodman

A lot of it was because O'Hara looked older and more mature in the part, where as Celia came across younger. Clara had to have a certain maturity so the audience would feel it was alright to leave her in Italy. Both Kelli and Celia discuss the matter in their chatterboxes with Seth Rudetsky, and Celia talks about it in her interview on the theater people podcast.

#5

Light in the Piazza at the Goodman

At first Kelli refused to take the role, because of Celia and because she enjoyed playing Franca. But they told her that if she didn't take it they would find someone else (just meaning Celia would definitely not get to), so since she had been with the production for multiple years, they agreed it was best for Kelli to take it.

#6

Light in the Piazza at the Goodman

^It's funny how they both wounded up as Tony nominees for Featured Actress in a Musical that year.

#7

Light in the Piazza at the Goodman

Does anyone know where you can get episodes of Chatterbox? I'd like to listen the one with Jeremy Jordan.

#8

Light in the Piazza at the Goodman

Clara is written for a true soprano. Celia Keenan-Bolger is a mezzo with some high notes, and she had a lot of difficulty with the music. She was replaced with O'Hara, who was vocally more in line with what the creators had in mind for the role.

#9

Light in the Piazza at the Goodman

Yea larrys also right, it had to do with how the music was sounding also.

Carl- I know he uploads clips here and there to YouTube but most of the chatterboxes are on Seth tv but a membership costs money. It's totally worth it though.

#10

Light in the Piazza at the Goodman

What I also find interesting is that when I came time for Bartlett Sher to do South Pacific at Lincoln Centre, the 3 final actresses competing for the role of Nellie was Kelli O'Hara, Celia Keenan-Bolger, and Victoria Clark.

#12

Light in the Piazza at the Goodman

Kelli talks about it in her chatterbox. Szot wasn't cast yet so they were auditioning different ages.

#13

Light in the Piazza at the Goodman

I saw the Goodman and Broadway productions and felt Bolger was FAR superior and believable in the role (as was Wayne Wilcox). I love O'Hara and think she is extremely talented, but after having seen Bolger in the role, O'Hara seemed bland and generic by comparison (as was Matthew Morrison). The Bolger/Wilcox combination had more chemistry and was so much more believable. I was actually disappointed when the casting took a turn toward the classic ingenue.


"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
#17

Light in the Piazza at the Goodman

I saw the earlier Seattle run. I thought Celia was good, but the great loss for me was Stephen Pasquale having to leave due to his TV show--I found him utterly compelling, much more so than Morrison on the cast album, or Lazar in the telecast.

BroadwayWorld TV


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