Many of O'Neill's plays are quite long. Strange Interlude and Mourning Becomes Electra both run between 4-5 hours, depending on the production. I've seen productions of Long Day's Journey Into Night that run as short as under 3 hours (the Jack Lemmon production on Broadway, and the David Suchet/Laurie Metcalf West End Revival) or over 4 hours (the 2003 Broadway revival). This season's revival was generally pretty much in the middle and was shortened mostly by the fact that it only utilized one intermission. I don't think it would be possible to do The Iceman Cometh in less than 4 hours and probably closer to 5.
If memory serves, Harvey Fierstein's Torch Song Trilogy is quite long (pushing 4 hours).
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Updated On: 7/1/16 at 04:08 PM