#226
Posted: 2/28/10 at 6:25pm
I have entered a few posts about LND on other sites after seeing it last Wednesday. I downloaded the original cast recording from Sky Songs yesterday and have now played it many times. Apparently this is not available to you guys on the other side of the pond at the moment (sorry).
If ALW and Really Useful Group have any sense, they will release it for immediate download via iTunes and others and not wait until the day before opening night on 9 March.
Despite having misgivings about the production in terms of some story aspects and production design (which they may fix before opening night) I honestly feel that the this is one of the greatest musical theatre scores to emerge over the last quarter of a century.
Many people have commented that the performances in the show are faultless - they are. Unsurprisingly this is reflected in the cast recording. The music is achingly good; the libretto works really well when heard a few times. The performers couldn't do any better.
It might be fashionable to knock Andrew Lloyd Webber - but if anyone who actually loves musical theatre really listens to this work - it is a fabulous achievement.
If the director, set designer, costume designer have 'messed up' in various departments - so be it and I don't really care. This score is sublime and the man ought to be given the credit for an amazing piece of work. Listened to in its entirety I absolutely love it and will now see it again however it has being produced.
Ramin Karimloo, Sierra Boggess and the rest of the company are brilliant.
I don't pretend that the current production is is faultless but if it gets 'buried' because there aren't enough fairground attractions onstage to keep the kids happy it will be a travesty.
LND comprises a wonderful theatrical score.
(I am a regular theatregoer - not in Really Useful Group's pay etc. etc.)
If ALW and Really Useful Group have any sense, they will release it for immediate download via iTunes and others and not wait until the day before opening night on 9 March.
Despite having misgivings about the production in terms of some story aspects and production design (which they may fix before opening night) I honestly feel that the this is one of the greatest musical theatre scores to emerge over the last quarter of a century.
Many people have commented that the performances in the show are faultless - they are. Unsurprisingly this is reflected in the cast recording. The music is achingly good; the libretto works really well when heard a few times. The performers couldn't do any better.
It might be fashionable to knock Andrew Lloyd Webber - but if anyone who actually loves musical theatre really listens to this work - it is a fabulous achievement.
If the director, set designer, costume designer have 'messed up' in various departments - so be it and I don't really care. This score is sublime and the man ought to be given the credit for an amazing piece of work. Listened to in its entirety I absolutely love it and will now see it again however it has being produced.
Ramin Karimloo, Sierra Boggess and the rest of the company are brilliant.
I don't pretend that the current production is is faultless but if it gets 'buried' because there aren't enough fairground attractions onstage to keep the kids happy it will be a travesty.
LND comprises a wonderful theatrical score.
(I am a regular theatregoer - not in Really Useful Group's pay etc. etc.)