After reading the WSJ review, whenever Lauren Ambrose is feeling down she should just look at this passage:
"If you’ve been eagerly waiting for Ms. Ambrose to return to the New York stage ever since she stole the show from Susan Sarandon nine years ago in “Exit the King,” you’ll be happy to hear that she’s a knockout and a wow. It happens that Ms. Ambrose is also a classically trained vocalist, and she has no trouble whatsoever putting across Eliza Doolittle’s operetta-like musical numbers, while her acting is predictably superlative. If we don’t see her in another musical as soon as this one closes, something’s wrong with Broadway."
What a write-up.